Boost, Overdrive, Distortion & Fuzz Pedals

The Seymour Duncan Forza pedal is a full-range, highly adjustable and transparent overdrive for players who want more gain without losing the natural voice of their guitar.While many overdrives emphasize particular frequencies, the Forza gives you a more even spread across...

Doomsday effects HVY MTL pedal is their take on the Boss Heavy Metal, HM2 chainsaw tone. Classic Swedish death metal distortion. We've kept this circuit close to the original, but have used modern day components. Because of the modern tolerances this guy has a...

This 50 year old is just hitting its stride. The Danelectro Eisenhower Fuzz Vintage pedal is an over the top Fuzz with super hot Octave effect. A mint example will cost you plenty. But it still will not sound half...

The electro-harmonix East River Drive guitar pedal creates classic overdrive in a JRC4558 IC based pedal that’s as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to...

From fat crunch to ultra high-gain distortion, the ST-2 Power Stack delivers famous BOSS distortion with a stunning amount of power that’s akin to coveted tube amps and professional amp stacks. The SOUND knob simultaneously blends gain amount and sound...

Boss MT-2 Metal Zone Guitar Pedal Million-Selling High-Gain Monster Introduced way back in 1991, the iconic MT-2 Metal Zone remains the king of high-gain distortion stomps for guitarists around the world, with over one million sold and counting. Its thick,...

The Benchmark in Guitar Distortion The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS’s first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that’s been a staple...

Expressive Touch Sensitivity Sweet, nuanced, and ultra-expressive, the BD-2 Blues Driver stands as an enduring icon in the annals of guitar overdrive. Its influential BOSS analog circuit design behaves like a tube amp, providing natural, touch-responsive gain that’s not possible...