{"title":"JHS Pedals","description":"\u003cp\u003e\u003cspan data-huuid=\"2221423936525819232\"\u003eJHS Pedals is a company that designs and builds guitar effects pedals, known for their innovation and quality. \u003c\/span\u003e\u003cspan data-huuid=\"2221423936525817873\"\u003eThey offer a variety of pedals, including the JHS 3 Series, which provides affordability and simplicity without sacrificing quality. \u003c\/span\u003e\u003cspan data-huuid=\"2221423936525816514\"\u003eThe 3 Series includes pedals like the Fuzz, Distortion, and others, each with a few simple controls for a wide range of sounds. \u003c\/span\u003e\u003cspan data-huuid=\"2221423936525819251\"\u003eJHS also produces more specialized pedals to satisfy all your classic and future tone needs\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"jhs-3-series-chorus-pedal","title":"JHS 3 Series Chorus Pedal","description":"\u003ch2 class=\"product__title heading-size-10\"\u003eJHS 3 Series Chorus Pedal\u003c\/h2\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/P1rzr1n0X7c?si=s4eoNr1hqLOHln20\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/h3\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES CHORUS\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48712887796020,"sku":"3SCH","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Chorus-Pedal-Infinite-Music.webp?v=1753091631"},{"product_id":"jhs-3-series-flanger-pedal","title":"JHS 3 Series Flanger Pedal","description":"\u003ch1\u003eJHS 3 Series Flanger Pedal\u003c\/h1\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/H-9BTbBETUQ?si=vDPIJK9zUt8JPMhi\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/h3\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES FLANGER\u003c\/h3\u003e\n\u003cp\u003eyou affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger. The best part? Our 3-Series Flanger is $99. The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48712918925620,"sku":"3SFL","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Flanger-Pedal-Infinite-Music.webp?v=1753091633"},{"product_id":"jhs-3-series-oil-can-delay-pedal","title":"JHS 3 Series Oil Can Delay Pedal","description":"\u003ch1\u003eJHS 3 Series Oil Can Delay Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9iX8mXKqfOE?si=7KPO_rUYnzatcGL-\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES OIL CAN DELAY\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eHow We Got the Oil Can Delay\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eAfter being discharged from the army in 1946, Ray and Marv Lubow formed Tel-Ray Electronics, specializing in Television and Radio repair. As the company grew, Ray also began dabbling in audio inventions – specifically, delay. Les Paul had already pioneered an effect called tape echo, but folks were trying to figure out how to make a smaller, more practical version of this oversized effect. Inspired to do just that, on June 30, 1959, Ray submitted the patent for an electro-static delay apparatus known today as the oil can delay. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese delay units contained oil in a tuna-can shaped drum that was moved by a belt mechanism that turned the drum while a special disk apparatus on which the audio signal “charge” was written and read through rubber wiper “heads.” The playback speed was directly related to the drum’s rotation speed. The oil acted as a protective layer to keep the audio signal “charge” electrons in place, creating a truly unique echo effect with elements of vibrato and slapback delay. Ray Lubow began licensing the oil can delay technology to amplifier companies, including Fender, Gibson, and Rickenbacker. In the late 1960s, Ray and Marv decided they wanted to start selling their devices under their own brand name and launched the now legendary effects company, Morley. Ray chose the name as a none-to-subtle jab at their competitor Leslie: “Why settle for less with a Leslie when you can get more with Morley?” Morley manufactured oil can delays up until 1989. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eWhy Are We Making One?\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eAt Wilco’s Solid Sound Festival in 2022, JHS founder Josh Scott found himself in a discussion with legendary guitarist Nels Cline. Nels brought up the subject of weird delays, leading to an in-depth discussion of the strangest pedals they’d ever played. Josh received a message from Nels a few days later asking if JHS made an oil can style delay and began explaining the particular sound he wanted from this type of echo. Though JHS didn’t have one in the official lineup, Josh and team developed a one-off oil can delay pedal. When they presented it to Nels as a gift, he liked it so much that he used it through the recording and touring process for Wilco’s \u003c\/span\u003e\u003cspan\u003eCruel Country\u003c\/span\u003e\u003cspan\u003e and now their latest release, \u003c\/span\u003e\u003cspan\u003eCousin\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThough the JHS Oil Can Delay isn’t a signature artist pedal, we’re still grateful to Nels Cline for inspiring it. We’re proud to offer you this unique pedal for your own collection. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMIX\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Controls the mix of echo and clean signal. Left is less, right is more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSPEED\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Controls the length of the delay time from 100ms to 330ms. Left is shorter, right is longer. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFEEDBACK\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- Controls the amount of feedback or repeats of the delay signal. Left is less, right is more. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e+\/- \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- The toggle allows you to switch between modulation intensities. In the down position, you have light movement, and in the up position, you have heavier movement. The modulation speed is associated with the delay time control (shorter is faster and longer is slower, reminiscent of the oil can warble in relation to the delay speed). \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eINPUT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- 1\/4” jack on the right side of the pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOUTPUT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e- 1\/4” jack on the left side of the pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan\u003ePOWER - \u003c\/span\u003e\u003cspan\u003eRequires 9VDC negative center power and consumes 65mA. Do not use more than 9VDC. You will void your warranty.\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65mA, AND MEASURES 4.42” X 2.38” X 1.22”\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48712944550196,"sku":"3SOL","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Oil-Can-Delay-Pedal-Infinite-Music.webp?v=1753091635"},{"product_id":"jhs-3-series-overdrive-pedal","title":"JHS 3 Series Overdrive Pedal","description":"\u003ch1 class=\"product__title heading-size-10\"\u003eJHS 3 Series Overdrive Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/t9KjOUAczS4?si=PsI1qq65yAlbMzfO\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES OVERDRIVE\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48712969290036,"sku":"3SOD","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Overdrive-Pedal-Infinite-Music.webp?v=1753091638"},{"product_id":"jhs-muffuletta-army-green-multi-fuzz-distortion-pedal","title":"JHS Muffuletta Army Green Multi Fuzz\/Distortion Pedal","description":"\u003ch1\u003eJHS Muffuletta Army Green Multi Fuzz\/Distortion Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TxBPb07jVcs?si=kuzx7NFvms1qaiEI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2 class=\"product__title heading-size-10\"\u003eMUFFULETTA\u003c\/h2\u003e\n\u003ch2\u003eDISTORTION \/ FUZZ\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThe Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003c\/p\u003e\n\u003ch2\u003eThe Muffuletta Modes \u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eJHS Mode - \"2015\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1973 RAMS HEAD - “1973-1977 V2”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE TRIANGLE - “1969-1970 V1”\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eTHE PI - “1977-1978 V3”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eAn instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: \u003c\/em\u003e \u003cem\u003eFrank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eTHE RUSSIAN - \"1999-2009 V8”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eTHE CIVIL WAR - “1991-1993 V7”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills, and Peter Buck (REM).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 4MA, AND MEASURES 2.2\"X4.8\"X1.6\".\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48713049145652,"sku":"MFG","price":375.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Muffuletta-Army-Green-Multi-FuzzDistortion-Pedal-Infinite-Music.webp?v=1753091640"},{"product_id":"jhs-volture-9v-voltage-sag-pedal","title":"JHS Volture 9V Voltage Sag Pedal","description":"\u003ch1\u003eJHS Volture 9V Voltage Sag Pedal \u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mu3HOfct2bw?si=eCsOG6NA2i_rWQLB\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eVOLTAGE SAG UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eSince the fuzz effect was invented in the early sixties, guitar players have gone to great lengths to achieve the perfect fuzz tone. Legends say that Duane Allman placed his fuzz pedal in the freezer between sessions to cool down the transistors, and that Roger Mayer meticulously modified Hendrix’s Fuzz Faces beyond recognition in search of an elusive, magical fuzz experience. Fortunately, even apart from these mythological methods, there’s one trick that always works: use a dying battery. Inherently simple devices like fuzz circuits are extremely sensitive to the amount of voltage that they receive, thus any change in the voltage from your power supply will cause drastically different tones. Guitarists eventually caught on to this hack and began draining their batteries to try and find the sweet spot for their fuzz pedal. A good idea in theory, but who has time for that? Then, just a few years ago, a certain unnamed guitarist reached out to me for a practical solution for this technique– and the Volture was born. \u003cbr\u003e\u003cbr\u003eThe Volture is a modern day device for your vintage fuzz circuitry. Simply place it in between your power supply and your pedal, and you can precisely trim the input voltage and perfectly replicate the tone of a dying battery. As the song says, “Power is made by power being taken.” \u003c\/p\u003e\n\u003cp class=\"\"\u003eThough we developed it specifically for vintage fuzz circuits, the Volture will work on any fully analog pedal. In fact, you might be surprised by the trippy sounds you find lurking in your favorite overdrive or distortion.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWith the Volture, you can input 9, 12 or 18VDC and output an adjustable voltage from 7.5VDC down to 1.25VDC, creating gated, distorted, possibly glitchy but always sputtery fuzz sounds. Input voltage is 9VDC to 18VDC, center negative. Output voltage is 1.25VDC to 7.5VDC, center negative. The Volture uses 10mA in addition to the power when it is active. The Volture should be used with pedals less than 50mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eNOTE: As you turn the voltage down, the LED will dim simultaneously with the voltage level. \u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE VOLTURE USES INDUSTRY STANDARD 2.1MM POWER SUPPLY CABLES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 12MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e**WARNING**\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Volture should not be paired with any digital\/logic circuitry-based pedal, otherwise the user risks potential damage to the pedal being powered due to inadequate voltage. As long as your pedal is all analog, you’ll be fine. A dying battery never hurt an analog circuit.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48713093284148,"sku":"VL","price":135.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Volture-9V-Voltage-Sag-Pedal-Infinite-Music.webp?v=1753091643"},{"product_id":"jhs-mute-switch-pedal","title":"JHS Mute Switch Pedal","description":"\u003ch1\u003eJHS Mute Switch Pedal\u003c\/h1\u003e\n\u003ch2 class=\"product__title heading-size-10\"\u003eMUTE SWITCH\u003c\/h2\u003e\n\u003cdiv id=\"shopify-section-template--15955395706980__main\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product-section palette--light bg--neutral\" data-product-handle=\"mute-switch\" data-section-id=\"template--15955395706980__main\" data-section-type=\"product\" data-enable-video-looping=\"true\" data-thumbs-align=\"\" data-enable-history-state=\"true\" data-product-sticky-enabled=\"true\" data-tall-layout=\"false\"\u003e\n\u003cdiv class=\"product__wrapper product__wrapper--thumbnails wrapper section-padding\"\u003e\n\u003cdiv class=\"product-content\"\u003e\n\u003cdiv class=\"grid grid--product\"\u003e\n\u003cdiv class=\"grid__item grid__item--product\"\u003e\n\u003cdiv class=\"product__form__wrapper\" data-form-wrapper=\"\"\u003e\n\u003cdiv class=\"product__block product-description rte rte--column accordion-neighbor\"\u003e\n\u003ch2\u003e\u003cstrong\u003eUTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eWith a name like the JHS Pedals Mute Switch, it doesn’t take a rocket surgeon to guess what this little guy does. But in case you’re still curious, it’s a switch that mutes your signal. This latching design lets you immediately cut your signal for silent tuning, breaks between sets, and more. We’d love to go on about this valuable tool...but we’ve pretty much covered it. \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eIT TURNS YOUR SIGNAL ON AND OFF\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThis Mute Switch mutes your sound. It’s that simple. And yet we think that with its color-changing LED indicator, high-grade components, and convenient compact size, the JHS Pedals Mute Switch does it better than any other.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- Easy-to-use latching design\u003cbr\u003e- Enjoy absolute silence from everything before it in the chain\u003cbr\u003e- Works great on pedalboards and in effects loops\u003cbr\u003e- LED indicator changes from blue to red to show if the mute is engaged\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE that this is NOT a momentary switch. When clicked, the signal stays in the position chosen.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTHIS PEDAL IS PASSIVE BUT REQUIRES STANDARD 9V DC NEGATIVE FOR THE LED TO FUNCTION AND IT MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"shopify-section-template--15955395706980__related\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product__related section-collection\"\u003e\n\u003cdiv class=\"wrapper section-padding\"\u003e\n\u003cdiv class=\"section-collection__foreground\"\u003e\n\u003cdiv class=\"section-collection__inner\"\u003e\n\u003cdiv class=\"slider-actions\" data-slider-actions=\"\"\u003e\n\u003cbutton type=\"button\" class=\"slider-arrow slider-arrow--prev\" data-prev-arrow=\"\" disabled\u003e\u003cspan class=\"visually-hidden\"\u003enext\u003c\/span\u003e\u003c\/button\u003e\u003cbutton type=\"button\" class=\"slider-arrow slider-arrow--next\" data-next-arrow=\"\"\u003e\u003c\/button\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48713128509748,"sku":"MU","price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Mute-Switch-Pedal-Infinite-Music.webp?v=1753091645"},{"product_id":"jhs-3-series-hall-reverb-pedal","title":"JHS 3 Series Hall Reverb Pedal","description":"\u003ch2\u003eJHS 3 Series Hall Reverb Pedal\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LC-WuNCx2D4?si=oI0JzGWBNGnl50oX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES HALL REVERB\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003cp\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718275707188,"sku":"3SHR","price":155.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Hall-Reverb-Pedal-Infinite-Music.webp?v=1753254990"},{"product_id":"jhs-3-series-phaser-pedal","title":"JHS 3 Series Phaser Pedal","description":"\u003ch1\u003eJHS 3 Series Phaser Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3F7jM-AzJ0c?si=1UqeLfrdANmGSeKa\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES PHASER\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. The JHS Pedals 3 Series Phaser runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e\n\u003cp\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718305034548,"sku":"3SPH","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Phaser-Pedal-Infinite-Music.webp?v=1753254993"},{"product_id":"jhs-3-series-octave-reverb-pedal","title":"JHS 3 Series Octave Reverb Pedal","description":"\u003ch1\u003eJHS 3 Series Octave Reverb Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/yXII9ZkKBbU?si=BmoxMMkDD0c63-a5\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES OCTAVE REVERB\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn the early 1980s, Brian Eno invented an effect called “Shimmer,” which was popularized in U2’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Unforgettable Fire\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1984). The effect mixed ambient reverb and octave effects in the reverb’s decay.  The 3 Series Octave Reverb is our take on this classic effect that has been used for decades to allow the guitar to create pads and textures that fill out ambient space.  Toggle up layers in upper octave sounds, while toggle down layers in lower octave sounds.\u003c\/p\u003e\n\u003cp\u003eTHE JHS PEDALS 3 SERIES OCTAVE REVERB RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA. LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718343766324,"sku":"3SOR","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Octave-Reverb-Pedal-Infinite-Music.webp?v=1753254996"},{"product_id":"jhs-3-series-screamer-pedal","title":"JHS 3 Series Screamer Pedal","description":"\u003ch1\u003eJHS 3 Series Screamer Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Q1Cfzg1Xua0?si=vb9KHs-AQnM6WafJ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES SCREAMER\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe 3-Series Screamer is the beloved JHS Tube Screamer “Strong Mod”, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718388101428,"sku":"3SSC","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Screamer-Pedal-Infinite-Music.webp?v=1753254998"},{"product_id":"jhs-bonsai-9-way-screamer-overdrive","title":"JHS Bonsai 9 way Screamer Overdrive","description":"\u003ch1\u003eJHS Bonsai 9 way Screamer Overdrive\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0o54cfloQE4?si=sssUd4L39sL8iO7y\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eBONSAI\u003c\/h3\u003e\n\u003cp class=\"\"\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFollowing in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003ch2\u003eThe Bonsai Modes\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eOD-1 - 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-808 - 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-9 - 1982\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMSL, POWER OR L SERIES - 1985\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-10 - 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEXAR OD-1 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTS-7 (+MODE) - 1999\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKEELEY MOD PLUS - 2002\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJHS STRONG MOD - 2008\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eOur own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWith the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 20 MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTHE WORDS IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, AND KEELEY, AUDIO PRECISION MAY BE REGISTERED TRADEMARKS. THE JHS PEDALS BONSAI IS IN NO WAY AFFILIATED OR ENDORSED BY IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, KEELEY, AND AUDIO PRECISION.\u003c\/em\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718433911092,"sku":"BI","price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Bonsai-9-way-Screamer-Overdrive-Infinite-Music.webp?v=1753255001"},{"product_id":"jhs-3-series-compressor-pedal","title":"JHS 3 Series Compressor Pedal","description":"\u003ch1\u003eJHS 3 Series Compressor Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4ClKxSTB40g?si=-B9vAIyjBus0P0Gi\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES COMPRESSOR\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718463205684,"sku":"3SCM","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Compressor-Pedal-Infinite-Music.webp?v=1753255003"},{"product_id":"jhs-red-remote-pedal","title":"JHS Red Remote Pedal","description":"\u003ch1\u003eJHS Red Remote Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/n5R20VZTTB8?si=ZvAbuaXqm-Uvg4Mk\u0026amp;start=17\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eRED REMOTE\u003c\/h3\u003e\n\u003ch2\u003e\u003cstrong\u003eUTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eUse our new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1\/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting.  The Red Remote is currently compatible with the following JHS Pedals:\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMORNING GLORY V4\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003eSUPERBOLT V2\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003eTWIN TWELVE V2\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003eDOUBLE BARREL V4\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003eKILT V2\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4\u003e\u003cstrong\u003eSWITCHBACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eWhen using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch.  For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's \"GAIN\" toggle will be deactivated and the Red Remote will switch the toggle on\/off as you step on the footswitch.\u003c\/p\u003e\n\u003cp class=\"\"\u003eTo use the Red Remote, plug the remote into the jack of the pedal labeled \"REMOTE...\"  ...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eThis pedal measures 2\"x2\"x1.25\" and does not require any power supply. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE: YOU CAN USE ANY LATCHING AMP STYLE FOOTSWITCH OR BUILD YOUR OWN TOO!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL DOES NOT REQUIRE A POWER SOURCE.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718495940916,"sku":"RR","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Red-Remote-Pedal-Infinite-Music.webp?v=1753255006"},{"product_id":"jhs-3-series-fuzz-pedal","title":"JHS 3 Series Fuzz Pedal","description":"\u003ch1\u003eJHS 3 Series Fuzz Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aaA5MiW_gag?si=WAqmq_-2VsimkNVY\u0026amp;start=17\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES FUZZ\u003c\/h3\u003e\n\u003cdiv id=\"shopify-section-template--15955395706980__main\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product-section palette--light bg--neutral\" data-product-handle=\"3-series-fuzz\" data-section-id=\"template--15955395706980__main\" data-section-type=\"product\" data-enable-video-looping=\"true\" data-thumbs-align=\"\" data-enable-history-state=\"true\" data-product-sticky-enabled=\"true\" data-tall-layout=\"false\"\u003e\n\u003cdiv class=\"product__wrapper product__wrapper--thumbnails wrapper section-padding\"\u003e\n\u003cdiv class=\"product-content\"\u003e\n\u003cdiv class=\"grid grid--product\"\u003e\n\u003cdiv class=\"grid__item grid__item--product\"\u003e\n\u003cdiv class=\"product__form__wrapper\" data-form-wrapper=\"\"\u003e\n\u003cdiv class=\"product__block product-description rte rte--column accordion-neighbor\"\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. The JHS Pedals 3 Series Fuzz runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"shopify-section-template--15955395706980__related\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product__related section-collection\"\u003e\n\u003cdiv class=\"wrapper section-padding\"\u003e\n\u003cdiv class=\"section-collection__foreground\"\u003e\n\u003cdiv class=\"section-collection__inner\"\u003e\n\u003cdiv class=\"slider-actions\" data-slider-actions=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718633926964,"sku":"3SFZ","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Fuzz-Pedal-Infinite-Music.webp?v=1753255008"},{"product_id":"jhs-active-aby-switcher-pedal","title":"JHS Active ABY Switcher Pedal","description":"\u003ch1\u003eJHS Active ABY Switcher Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NrmYfjoDgdk?si=tx-fR1GHJt8vjjSx\u0026amp;start=174\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eACTIVE A\/B\/Y\u003c\/h3\u003e\n\u003ch2\u003e\u003cstrong\u003eSWITCHING UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals Active A\/B\/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly.\u003c\/p\u003e\n\u003cp class=\"\"\u003eJust plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged.  Hit the right “Y” footswitch to engage BOTH mono outputs.  Because the Active A\/B\/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Active A\/B\/Y has a high impedance buffered input. The outputs are isolated from each other to eliminate ground loops. The transformer isolated output, the A channel (red LED), has a signal polarity reversal switch that can be used in cases where there is signal cancellation. When the side switch is pushed in, the polarity is inverted. The signal polarity reversal switch only applies to the A channel (red LED). \u003c\/p\u003e\n\u003cp class=\"\"\u003eWith an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A\/B\/Y will be the one pedal that you can never leave home without!\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 47MA, AND MEASURES L 4.42” X W 2.38” X H 1.22”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE ACTIVE A\/B\/Y IS DESIGNED TO WORK WITH INPUT SIGNALS THAT ARE BELOW 14V INPUT GAIN. ANYTHING ABOVE 14V INPUT GAIN WILL CAUSE THE UNIT TO CLIP.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718677868852,"sku":"ABY","price":219.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Active-ABY-Switcher-Pedal-Infinite-Music.webp?v=1753255011"},{"product_id":"jhs-3-series-delay-pedal","title":"JHS 3 Series Delay Pedal","description":"\u003ch1\u003eJHS 3 Series Delay Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ALuQTmZyLJI?si=FQdoDR8AMiab3AkJ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES DELAY\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718722564404,"sku":"3SDL","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Delay-Pedal-Infinite-Music.webp?v=1753255013"},{"product_id":"jhs-at-andi-timmons-signature-overdrive-pedal","title":"JHS AT+ Andi Timmons Signature Overdrive Pedal","description":"\u003ch1\u003eJHS AT+ Andi Timmons Signature Overdrive Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/K9c_cIcULsI?si=ydVLnyGGroFbGRUr\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eAT+\u003c\/h3\u003e\n\u003ch2\u003e\u003cstrong\u003eANDY TIMMONS SIGNATURE OVERDRIVE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eIn 2016 we brought you Andy Timmons’ artist signature pedal, the AT or @, and we're really proud to bring you the next iteration of this phenomenal stomp box: The AT+.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals AT is Andy Timmons’ signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. By collaborating to tailor the pedal to Andy’s tastes, the “@“ was born and released in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eDOES THE AT+ SOUND THE SAME AS THE ORIGINAL AT?\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eYes!  The drive channel of the AT+ is identical to our original AT pedal.  No changes were made whatsoever and the controls remain the same. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright\/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different amplifier wattages. The up position is the 25-watt setting with the most compression and saturation and the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTWO CHANNELS ARE BETTER THAN ONE!  \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eNew to the AT+ is an independent foot-switchable Boost, essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Diamond shape knob layout; single foot switch.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = “AT+” U-shaped knob layout; two foot switches; limited edition AT+ pedals also come in a black colorway.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 15MA, AND MEASURES 2.2\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE AT+ CAN BE SAFELY RUN ON 18 OR 9 VOLTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYOU CAN SAFELY RUN THE ORIGINAL (V1) “AT“ ON 18 OR 9 VOLTS\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718756413748,"sku":"AT+","price":359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-AT-Andi-Timmons-Signature-Overdrive-Pedal-Infinite-Music.webp?v=1753255016"},{"product_id":"jhs-packrat-black-distortion-pedal","title":"JHS PackRat (Black) Distortion Pedal","description":"\u003ch1\u003eJHS PackRat (Black) Distortion Pedal - Pack Rat\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/B_jtDX1_FZg?si=57SEKIQpTx3xWR0o\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003ePACKRAT\u003c\/h3\u003e\n\u003cp\u003en 1978, one of the most versatile distortion pedals of all time was invented in Kalamazoo–the ProCo RAT. Scott Burnham and Steve Kiraly had the idea after playing, repairing, and modifying all distortion pedals on the market. They wanted something that didn’t exist yet at MXR, DOD, or BOSS, a pedal that could go from overdrive to distortion and all the way to fuzz. By 1979, Scott perfected the circuit in his rat-infested basement workshop. The rest is history.\u003c\/p\u003e\n\u003cp\u003eThe PackRat is the ultimate tribute to 40+ years of RAT evolution and its impact on guitar’s sound. Artists from every genre have used this iconic and unassuming black box to create their tones, including Nirvana, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck, and Radiohead. \u003c\/p\u003e\n\u003cp\u003eThe PackRat uses the same unique digital runway system featured in our other multimode pedals (Muffuletta and Bonsai) to direct the paths of 261 components through 40 individual switches. This means when you choose one of the nine legendary modes, you are playing fully analog circuits that perfectly replicate that mode down to the aging components. If you purchased these nine hard-to-find pedals on the used market right now, you’d pay around\u003cspan\u003e \u003c\/span\u003e\u003cs\u003e$4000\u003c\/s\u003e $6000\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(updated Summer 2024)\u003c\/em\u003e. The PackRat at $249 saves you thousands! \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eUsing the PackRat is straightforward. “Volume” adjusts the overall volume of the pedal. “Distortion” lets you raise and lower the amount of gain or distortion. “Filter” allows you to brighten or darken the sound of the overall effect, acting as a simple low-pass filter. The “Mode” knob is a rotary switch that clicks between each of the nine legendary RAT versions. As you change the mode, the analog circuitry is rewired between different values of resistors, capacitors, diodes, and op-amps. \u003c\/p\u003e\n\u003cp\u003eResearch I obtained over 100 different RAT specimens for study and interviewed former ProCo employees about the design, evolution, and production of the RAT. Many of the widely accepted “facts” about the differences in versions or sounds, including some of my own beliefs, were misinformed at best. Often, they’re wrong. Reliable sites had inaccurate timelines with incorrect pictures of the respective models. Even ProCo’s own history was missing tons of details about changes made to the RAT over the past 40 years. \u003c\/p\u003e\n\u003cp\u003eTo find the facts and properly understand this circuit, we obtained and studied every RAT model ever made (including some prototypes) in great detail. We analyzed them using state-of-the-art audio precision equipment, measured components, built comparison charts, traced each circuit, and closely examined the branding, logos, and other changes as precisely as possible. \u003c\/p\u003e\n\u003cp\u003eVintage units are typically dated by reading manufacturer codes on potentiometers and knobs. Unfortunately, this is a flawed dating method. ProCo would have ordered thousands of potentiometers, and many pedals were made with parts that were at least two or three years older than the production date. This means you’ll see v1s, v2s, and v3s with overlapping dates. Combine this with decades of people “remembering” what RAT model sounds the best, and you’re in a historically inaccurate hot mess. \u003c\/p\u003e\n\u003cp\u003eTo properly build an accurate timeline and database of changes, I dated components when possible, interviewed people involved in the eras of production, referenced over 1,000 online sales photographs, and studied the prototypes and evolution of engineer design ideas. I did everything possible to build an airtight case for my work and not rely on any prior timelines. The results may not be perfect, but they’re pretty close. \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eThe PackRat Modes \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e1. The OG v1 (79-83)\u003c\/p\u003e\n\u003cp\u003eThe OG is a perfect recreation of the first line of RATs ever made. Early v1s are also known as the Fringe Logo and can be identified by the word RAT having a slight fringe graphic on the typeface. The v1 also has small silver capped knobs and a Tone knob instead of the more familiar Filter label. From a circuitry standpoint, the v1 and v2 Big Box models are practically identical except that the v1 Tone control increases treble as you turn clockwise while the v2 Filter control decreases treble. In the OG mode, you are playing the exact circuitry of my 1979 v1 Fringe model, including accurate Tone control rotation and taper. You should know the v1 and v2 are the same circuit. Simple adjustments to the Tone\/Filter control can achieve identical sounds from each unit. I know super nerds will ask why we didn’t include a Bud Box mode. Basically, I’d consider the Bud Box RAT to be a v1 because it is nearly identical, other than having an input buffer and a few extra parts. \u003c\/p\u003e\n\u003cp\u003e2. White Face v3 (84-86)\u003c\/p\u003e\n\u003cp\u003eIn 1984, the RAT transitioned to a smaller square enclosure with a new white rectangle logo. The word RAT was in all black caps inside the white rectangle–hence the “White Face” nickname. In 1986, this same model had a logo change that inverted the white and black colors, resulting in the more familiar white rectangle outline and font on a black enclosure. This “White Face” model has become a holy grail RAT and even spawned a reissue in the nineties. The irony is that it’s the same exact circuit as the previous Big Box V2, the 1986 “Black Face,” and the 1989 RAT2. The “White Face” V3 update was purely cosmetic due to screen printing errors that needed to be solved. ProCo knew that the world wanted smaller pedals as brands like BOSS, DOD, and Ibanez gained increasing market share. They wisely cashed in on the trend. Why would I put this particular version in my PackRat if it’s not different from the OG? For one, nostalgia is a powerful thing. Second, this mode switches to the reverse orientation Filter control with an entirely different feel and experience. It also widens the sweet spot for the most beloved RAT tones. \u003c\/p\u003e\n\u003cp\u003e3. Turbo v5 (89)\u003c\/p\u003e\n\u003cp\u003eThe heart of the RAT tone comes from symmetrical hard clipping. A simple amplifier circuit amplifies the signal and pushes it across a pair of clipping diodes. These diodes clip off the top of the waveform and create square wave distortion. Every RAT until 1989 utilized silicon diodes, like the DOD 250 and BOSS DS-1, but the new Turbo RAT used LEDs. This technique was a first in pedals and offered a completely new RAT experience. The silicon diodes in previous versions have a lower forward voltage, leading to a faster and more extreme clipping of the waveform. This type of diode creates a very saturated tone. LEDs have a much higher forward voltage, so they don’t activate or clip the signal as fast or as hard. It takes more signal to reach the clipping point, creating more touch sensitivity. It is also worth noting this model was the first RAT to offer the sloped enclosure we see today. \u003c\/p\u003e\n\u003cp\u003e4. BRAT v6 (97)\u003c\/p\u003e\n\u003cp\u003eIn 1997, ProCo got into the budget pedal game by releasing the BRAT and the Guitar Center exclusive Roadkill. So far, these identical circuits with different but very 90s grunge aesthetics have the most changes in the evolution. This design added an input buffer circuit and soft clipping (inside the op-amp) on top of the hard clipping of previous RATs. We also see a return to the opposite taper\/rotation Filter control and several capacitor value changes that alter frequency response and distortion characteristics. \u003c\/p\u003e\n\u003cp\u003e5. Dirty v7 (04)\u003c\/p\u003e\n\u003cp\u003eIn 2002, ProCo released a 2-in-1 RAT pedal called the Deucetone. This pedal allowed you to have two completely separate RATs and activate them independently or stack them together. It also introduced two brand new sounds into the RAT topology–“Clean RAT” and “Dirty RAT.” Due to the popularity of the “Dirty RAT” mode, they released it as a single pedal called You Dirty RAT. This circuit utilizes germanium diodes in the symmetrical hard clipping section. This gives the most saturation and waveform clip-off of any version to date. In addition to the diode changes, this model had several different capacitor value changes, which led to a different distortion character and feel. \u003c\/p\u003e\n\u003cp\u003e6. LA (86)\u003c\/p\u003e\n\u003cp\u003eIn 1986, Ibanez released the 10 Series, which included three RAT style pedals. The Super Product and Fat Cat were traditional RAT-style pedals, while the quirkier LA Metal was, in my opinion, one of the best modified RAT circuits of the eighties. It includes a great input buffer, several key capacitor changes for frequency response, and no clipping diodes. The distortion is produced by overloading or “clipping the rails” of the op-amp. You may not play LA metal, but I promise you’ll love this mode! \u003c\/p\u003e\n\u003cp\u003e7. Landgraff MO’D (99)\u003c\/p\u003e\n\u003cp\u003eBetween 1999 and 2000, John Landgraff started building pedals by hand in Pensacola, each with a unique swirl paint job and soldered point-to-point. John’s pedals gained a reputation for sounding amazing and remain the true definition of boutique. Of all his releases, my favorite was a distortion pedal called the “MO’D,” a distant cousin of the RAT and a fantastic pedal in its own right. \u003c\/p\u003e\n\u003cp\u003e8. Caroline (10) \u003c\/p\u003e\n\u003cp\u003eA few years after starting JHS, I purchased a fascinating distortion pedal from a brand new company in South Carolina. I remember jumping on the phone and geeking out with the designer and head of the company, Philippe Herndon. We talked about the circuit, his love for RATs, and his clever take on the circuit. That pedal was called the Wave Cannon, and when I started the PackRat project, Philippe was obviously the friend I needed to bring along for the ride.\u003c\/p\u003e\n\u003cp\u003e9. JHS Mode \u003c\/p\u003e\n\u003cp\u003eIn 2003, I managed a tiny guitar shop in Northwest Alabama. One day, a man walked in wanting to sell a vintage Small Box RAT. When the shop’s owner said he wasn’t interested, I said I was and bought that RAT for $15. This event led me down the pedal-collecting rabbit hole. That pedal stayed on my board for a decade. When I started modifying and building pedals in 2007, I opened it up and modded it to give a different kind of sound. That modification led to the now discontinued JHS All American and the JHS “PackRat” mod we performed on thousands of RAT pedals from 2008-2018. The JHS Mode lets me keep what makes the RAT unique and add in a few of my favorite mods.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 100MA, AND MEASURES 2.2\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718800159028,"sku":"PKBK","price":389.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-PackRat-Black-Distortion-Pedal-Infinite-Music.webp?v=1753255019"},{"product_id":"jhs-flight-delay-blue-pedal","title":"JHS Flight Delay ( Blue) Pedal","description":"\u003ch1\u003eJHS Flight Delay ( Blue) Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Pm3TzgxwAFU?si=oEEJVhOYfwiBOfbW\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eFLIGHT DELAY\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by my all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eMIX -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eControls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50\/50 blend.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREPEATS -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eControls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEQ -\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eAdjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTIME -\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eControls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMODES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eANALOG -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eA filtered analog-style BBD delay that harkens back to classic echo pedals like the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEHX Memory Man and BOSS DM-2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVERSE -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePlays the delay signal backwards, inspired by effects like the Danelectro Back Talk and Line 6 DL4 Reverse mode.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIGITAL -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eCrisp, digital-style delay that pays tribute to early DSP delays like the BOSS DD-5 and the Ibanez DE7.\u003c\/p\u003e\n\u003cp\u003e**Note: when switching between modes, the delay time will default to the Time control setting.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eSUBDIVISION TOGGLE \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eSets the interval of delay repeats - quarter note, eighth note, or dotted eighth note in relation to your tapped tempo.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTRAILS BYPASS MODE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eAllows the repeats to trail when the pedal is bypassed. To activate or deactivate, hold both footswitches for two seconds while the pedal is on. The left bypass LED will blink, and the setting will be retained.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMODULATION\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe flight delay features a meticulously designed modulation path that affects the delayed signal. This can be used to perfectly emulate the modulation textures of a *Memory Man’s vibrato’d repeats or a vintage tape delay’s lo-fi warble warble and everything in between.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003eMODULATION TOGGLE -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSets delay modulation style to chorus, vibrato, or off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOD DEPTH -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eControls the depth or level of the modulation effect. Left is less, right is more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMOD RATE -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eControls the rate of the modulation. Left is slower, right is faster.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTAP\/EXPRESSION CONTROL FOR DELAY TIME\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eTAP -\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eFor external tap control, plug a mono TS cable into the TAP\/EXP jack and connect to a switch or clocking device.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEXPRESSION -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFor control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP\/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLEFT FOOTSWITCH -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eBypass switch, which turns the effect on and off.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIGHT FOOTSWITCH -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eTap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eI\/O \u0026amp; POWER\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eMONO INPUT -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1\/4” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMONO OUTPUT - \u003c\/strong\u003e1\/4” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTAP\/EXP JACK -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1\/4” jack on the top between the input and DC jack.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER -\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eRequires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cb\u003eTHE JHS PEDALS FLIGHT DELAY IS IN NO WAY AFFILIATED WITH OR ENDORSED BY IBANEZ, BOSS, DANELECTRO, ELECTRO-HARMONIX OR LINE 6.\u003c\/b\u003e\u003c\/h6\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718843216180,"sku":"FDBL","price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Flight-Delay-Blue-Pedal-Infinite-Music.webp?v=1753255023"},{"product_id":"jhs-kilt-v2-overdrive-fuzz-distortion-pedal","title":"JHS Kilt V2 Overdrive \/ Fuzz\/ Distortion Pedal","description":"\u003ch1\u003eJHS Kilt V2 Overdrive \/ Fuzz \/ Distortion Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wUWfg3RUVFs?si=ZnxhSu885iIl-Jcr\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eKILT V2\u003c\/h3\u003e\n\u003cdiv id=\"shopify-section-template--15955395706980__main\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product-section palette--light bg--neutral\" data-product-handle=\"kilt-v2\" data-section-id=\"template--15955395706980__main\" data-section-type=\"product\" data-enable-video-looping=\"true\" data-thumbs-align=\"\" data-enable-history-state=\"true\" data-product-sticky-enabled=\"true\" data-tall-layout=\"false\"\u003e\n\u003cdiv class=\"product__wrapper product__wrapper--thumbnails wrapper section-padding\"\u003e\n\u003cdiv class=\"product-content\"\u003e\n\u003cdiv class=\"grid grid--product\"\u003e\n\u003cdiv class=\"grid__item grid__item--product\"\u003e\n\u003cdiv class=\"product__form__wrapper\" data-form-wrapper=\"\"\u003e\n\u003cdiv class=\"product__block product-description rte rte--column accordion-neighbor\"\u003e\n\u003ch2\u003e\u003cstrong\u003eOVERDRIVE \/ FUZZ \/ DISTORTION\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eWhen we got the opportunity to work with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious) we couldn’t pass it up. Right out of the gate Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and the V2 has been honed into a compact and versatile tone-machine.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eEXPANDORA AT HEART\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Kilt V2 has the same fantastic circuit at the heart of the version one: a heavily tweaked Expandora style dirt box that gives you more tonal options than you might ever be able to use. We use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that feels even better than the original Expandora. Three toggles enhance the tweakability even further. The cut\/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different from typical diode clipping selectors used in drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz\/distortion-- and everything in between.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTOGGLES FOR DAYS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003e– When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup\u003c\/p\u003e\n\u003cp class=\"\"\u003e– G1 flipped up adds a touch of drive for more riffy grit\u003c\/p\u003e\n\u003cp class=\"\"\u003e– G2 flipped up puts you dangerously close to distortion, with more saturation and sustain for lead tones\u003c\/p\u003e\n\u003cp class=\"\"\u003e– Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz\/distortion that will cut through anything\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Larger enclosure; two foot switches; independent boost on right side; four knobs\u003c\/p\u003e\n\u003cp class=\"\"\u003eand four toggles.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Smaller enclosure; three knobs and three toggles; Red Remote system added.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 64MA, AND MEASURES 2.6” X 4.8” X 1.6”\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"shopify-section-template--15955395706980__related\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product__related section-collection\"\u003e\n\u003cdiv class=\"wrapper section-padding\"\u003e\n\u003cdiv class=\"section-collection__foreground\"\u003e\n\u003cdiv class=\"section-collection__inner\"\u003e\n\u003cdiv class=\"slider-actions\" data-slider-actions=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718883782964,"sku":"KT","price":319.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Kilt-V2-Overdrive-Fuzz-Distortion-Pedal-Infinite-Music.webp?v=1753255025"},{"product_id":"jhs-3-series-reverb-pedal","title":"JHS 3 Series Reverb Pedal","description":"\u003ch1\u003eJHS 3 Series Reverb Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/T10GayNmJr4?si=XW8Gncf_ImkxYZjx\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES REVERB\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power and consumes 74mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718910652724,"sku":"3SRV","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Reverb-Pedal-Infinite-Music.webp?v=1753255028"},{"product_id":"jhs-3-series-harmonic-tremolo-pedal","title":"JHS 3 Series Harmonic Tremolo Pedal","description":"\u003ch1\u003eJHS 3 Series Harmonic Tremolo Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o3mZgZzWMzc?si=ibcBHCRFP8YLx4Kl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES HARMONIC TREM\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo.”  Essentially, the amp’s signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe.  The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier.  Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.\u003c\/p\u003e\n\u003cp\u003eTHE JHS PEDALS 3 SERIES HARMONIC TREM RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA.  LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718933754164,"sku":"3SHT","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Harmonic-Tremolo-Pedal-Infinite-Music.webp?v=1753255030"},{"product_id":"jhs-3-series-distortion-pedal","title":"JHS 3 Series Distortion Pedal","description":"\u003ch1\u003eJHS 3 Series Distortion Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Vx7XY2QNob8?si=M6YPVXapvujHGTHY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES DISTORTION\u003c\/h3\u003e\n\u003cp\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. The JHS Pedals 3 Series Distortion runs on 9V DC Negative Center power and consumes 9mA.\u003c\/p\u003e\n\u003cp class=\"\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718959149364,"sku":"3SDT","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Distortion-Pedal-Infinite-Music.webp?v=1753255033"},{"product_id":"jhs-3-series-tape-delay-pedal","title":"JHS 3 Series Tape Delay Pedal","description":"\u003ch1\u003eJHS 3 Series Tape Delay Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Rayua-6T69M?si=bEMh3m4nLopty0W1\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 SERIES TAPE DELAY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTape delay was invented in the late 40s when Les Paul strung two Ampex Model 200A reel-to-reel tape recorders together. A little later, in 1953, Ray Butts invented the Echosonic, the first actual tape delay unit. This would be followed up by the Echoplex EP-1 in 1961 from Mike Battle and the Space Echo from Roland in 1974. The JHS Pedals 3 Series Tape Delay is a simplified and faithful throwback to these classic units. The Mix control lets you control how much clean signal is blended in with the wet (delayed) signal (on the original unit, this was called Echo Volume). Tape Speed acts as a simulation of the RE-201’s tape motor speeding up and slowing down and determines how short or long the delay effect is. The Repeats control goes from a single repeat to many, reminiscent of a sound being written onto the tape loop with loss of fidelity each time. Finally, when the Flutter toggle is turned on (up position), it replicates the wear \u0026amp; tear to the mechanical parts of a tape machine that happens over time. This causes mild modulation, warble, and flutter sounds in the echo path of the delay that so many players desire. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMIX - \u003c\/span\u003e\u003cspan\u003eControls how much clean signal is blended in with the wet (delayed) signal. Left is more dry signal. Right is more wet signal. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTAPE SPEED -\u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eControls the length of delay effect from 15ms to 950ms.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eREPEATS - \u003c\/span\u003e\u003cspan\u003eControls how many repeats occur after you play. Left is less. Right is more. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFLUTTER - \u003c\/span\u003e\u003cspan\u003eSwitch down is standard effect. Switch up introduces a mild modulation reminiscent of vintage units with mechanical wear. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT - \u003c\/span\u003e\u003cspan\u003e¼” jack on the right side of the pedal. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT - \u003c\/span\u003e\u003cspan\u003e¼” jack on the left side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePOWER - \u003c\/span\u003e\u003cspan\u003eRequires 9VDC negative center power and consumes 65mA. Do not use more than 9VDC. You will void your warranty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65mA, AND MEASURES 4.42” X 2.38” X 1.22”\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48718979006772,"sku":"3STD","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Tape-Delay-Pedal-Infinite-Music.webp?v=1753255035"},{"product_id":"jhs-3-series-rotary-chorus-pedal","title":"JHS 3 Series Rotary Chorus Pedal","description":"\u003ch1\u003eJHS 3 Series Rotary Chorus Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8SkgDDXh_iU?si=_U8hrJn7Obsc1tcZ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003e3 SERIES ROTARY CHORUS\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe rotary effect was one of the earliest modulation effects to hit the music scene. Originally designed for Hammond* organs, the Leslie* was a rotating speaker that created the recognizable Doppler effect (think church organ). You’ve heard rotary effects on everything from It’s Only Love by the Beatles to Cold Shot by Stevie Ray Vaughan and from City Love by John Mayer to Black Hole Sun by Soundgarden. It’s everywhere! The JHS Pedals 3 Series Rotary Chorus brings you this classic, spinning chorus tone in an affordable, easy-to-use pedal format! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIntensity determines the modulation depth. Speed lets you control how fast the simulated speaker “spins.” When you turn the Room toggle on (up position), it adds a roomy, reverb ambiance to the sound, much like the ambient “room microphone” sound that happens when recording a real Leslie*. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCONTROLS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVOLUME - \u003c\/span\u003e\u003cspan\u003eControls the overall volume of the pedal. Left is less, right is more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINTENSITY \u003c\/span\u003e\u003cspan\u003e- Controls the modulation depth. Left is less, right is more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSPEED - \u003c\/span\u003e\u003cspan\u003eControls how the rate of modulation. Left is slower, right is faster. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eROOM - \u003c\/span\u003e\u003cspan\u003eSwitch down is standard effect. Switch up adds a roomy reverb. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJACKS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT - \u003c\/span\u003e\u003cspan\u003e¼” jack on the right side of the pedal. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT - \u003c\/span\u003e\u003cspan\u003e¼” jack on the left side of the pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePOWER - \u003c\/span\u003e\u003cspan\u003eRequires 9VDC negative center power and consumes 65mA. Do not use more than 9VDC. You will void your warranty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTHIS PEDAL REQUIRES STANDARD 9VDC NEGATIVE POWER, CONSUMES 65mA, AND MEASURES 4.42” X 2.38” X 1.22”\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48719026323764,"sku":"3SRC","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Rotary-Chorus-Pedal-Infinite-Music.webp?v=1753255038"},{"product_id":"jhs-little-black-amp-box-amp-loop-attenuator","title":"JHS Little Black Amp Box - Amp Loop Attenuator","description":"\u003ch1\u003eJHS Little Black Amp Box - Amp Loop Attenuator\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/u3MiURbSgRk?si=RqiAdk1SruJbK49E\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eLITTLE BLACK AMP BOX\u003c\/h3\u003e\n\u003ch2\u003e\u003cstrong\u003eVOLUME UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eTaming a screaming-loud tube amp doesn’t always require bulky and expensive load boxes and attenuators. If your amp has a series effects loop, the JHS Pedals Little Black Amp Box takes care of the job while being able to fit into the palm of your hand. Simply run it through your amp’s effects loop and control the amount of signal you send to your amplifier’s power section. You’ll love the way the Little Black Amp Box lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. And your bandmates, sound engineer, parents, neighbors, significant other, and pets will love the way it can keep your volume down to bedroom levels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e**WARNING**\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eATTEMPTING TO PLACE THE LITTLE BLACK AMP BOX BETWEEN THE POWER SECTION OF YOUR AMPLIFIER AND YOUR SPEAKERS WILL RESULT IN DAMAGE TO YOUR GEAR. PLACE IT IN A SERIES EFFECTS LOOP ONLY.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDO NOT USE WITH A PARALLEL EFX LOOP, IT WILL NOT PRODUCE INTENDED EFFECT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCRANKED AMP TONE AT WHISPER VOLUME\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eIf your amp has a series effects loop, you should stop reading this and go buy a JHS Pedals Little Black Amp Box. All the roaring amp tones you need come with none of the ear-bleeding levels.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Run it in your effects loop to turn down a turned-up amp\u003cbr\u003e- Retain the response and tone of your amp’s sweet spot at lower levels\u003cbr\u003e- High-grade components keep your tone clear and pure\u003cbr\u003e- Passive design doesn’t require any power \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eA device such as the Little Black Amp Box is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Small size is ideal for saving pedalboard space or even setting on top of your amp\u003cbr\u003e- Can easily be mounted underneath your board\u003cbr\u003e- Built rugged\u003cbr\u003e- Black powder coating keeps the buffer hidden in the background\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWE DO NOT SUGGEST RUNNING OTHER PEDALS IN THE EFFECTS LOOP WITH THE LITTLE BLACK AMP BOX AS IT WILL AFFECT THE WAY YOUR OTHER PEDALS SOUND. STILL, FEEL FREE TO EXPERIMENT WITH IT AS IT WILL NOT DAMAGE YOUR OTHER PEDALS.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL DOES NOT REQUIRE POWER AND IT MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48722427478324,"sku":"LBAB","price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Little-Black-Amp-Box-Amp-Loop-Attenuator-Infinite-Music.webp?v=1753255041"},{"product_id":"jhs-emperor-chorus-vibrato-pedal","title":"JHS Emperor Chorus Vibrato Pedal","description":"\u003ch1\u003eJHS Emperor Chorus Vibrato Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fcz4BRuB8Fo?si=QAYM2y4Z7X4EG7_T\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eEMPEROR V2\u003c\/h3\u003e\n\u003ch2\u003e\u003cstrong\u003eCHORUS \/ VIBRATO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eIn 2014 we brought you the Emperor V1, a 100% Analog Chorus\/Vibrato with Tap Tempo. Now in 2018 we are proud to bring you the Emperor V2!\u003c\/p\u003e\n\u003cp class=\"\"\u003eThere are two ways to look at the JHS Pedals Emperor Analog Chorus\/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1...but its also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of ‘80s-style analog chorus pedals and we've added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig... or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cstrong\u003eSO MUCH MODULATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe call the Emperor an analog chorus\/vibrato. That’s just because calling it a true analog chorus\/pitch vibrato with tap tempo\/waveform selection\/rotary speaker simulation\/true stereo output\/and more pedal would have been a pain to write every time.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- The glorious tones of a real-deal, 3207 chipset bucket brigade topology\u003cbr\u003e- Mini toggle switch selects between chorus and vibrato effects\u003cbr\u003e- Three available waveform types (sine, square, and triangle)\u003cbr\u003e- Intuitive controls for Volume, EQ, Speed, and Depth\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eUPDATED TONE SHAPING CAPABILITIES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eMaking a good thing better? Yes please. The Emperor V1 had a Tone control which has now become the EQ control in the Emperor V2. We've replaced the passive tone control in the V1 with an active EQ control that functions as a Tilt. You'll now have much more tone shaping capability in the V2. The overall EQ control is much improved in the Emperor V2 and you will not lose any low-end sometimes commonly found with chorus\/vibrato pedals.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eIN-DEPTH TEMPO CONTROL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eTo control the rate of the Emperor’s effect, simply turn the Speed knob up and down or tap the tap tempo footswitch. Or for the more adventurous among us...plug in an expression pedal for variable control in real time. And you can even slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Control the rate with the onboard Speed knob or tap tempo footswitch\u003cbr\u003e- Tap\/Exp mini switch on the left side of the pedal controls the side-mounted Tap\/Exp TRS jack\u003cbr\u003e- Use an external source to control the rate in the Tap Out setting (works great with our Panther Cub Delay and Unicorn pedals).\u003cbr\u003e- LED indicator notifies you of the effect’s tempo, even when disengaged\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eA FEW EXTRAS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eYou knew we would throw in a few extra features for you, didn’t you? Of course we did. When designing the Emperor, we conveniently and inconspicuously tucked in stereo output and the ability to select between buffered or true-bypass operation.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Plugging TRS splitter cable into the output jack is all it takes to wring true stereo output from the Emperor\u003cbr\u003e- Internal switch changes from buffered to true-bypass operation**\u003cbr\u003e- High-quality buffer helps drive long cable runs and in-depth pedal setups while restoring high-end loss\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 57 MA, AND MEASURES 2.6\"X4.8\"X1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48722427674932,"sku":"EMP","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Emperor-Chorus-Vibrato-Pedal-Infinite-Music.webp?v=1753255043"},{"product_id":"jhs-switchback-pedal-one-input-one-output-2x-separate-selectable-effects-loops","title":"JHS Switchback Pedal - One Input-One Output, 2x Separate Selectable Effects Loops","description":"\u003ch1\u003eJHS Switchback Pedal - One Input-One Output, 2x Separate selectable  Effects Loops\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NrmYfjoDgdk?si=sQ8JD7sPqftZqPix\u0026amp;start=41\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eSWITCHBACK\u003c\/h3\u003e\n\u003ch2\u003e\u003cstrong\u003eSWITCHING UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals Switchback is a small unassuming box with a massive feature set. It began its life as a device that we designed just for ourselves to test and compare pedals in the JHS workshop but we soon realized that it was extremely useful for everyone’s guitar rig on stage or in the studio.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Switchback has one input, one output and two separate selectable effects loops (Send\/Return), plus an A\/B toggle that is controllable by our Red Remote switching system. The foot-switch is 100% true bypass, so when it’s off, it's not affecting your signal in any way. There are millions of ways to use the Switchback (Maybe not a million but… You get the idea) but here are a few of our favorite applications that are incredibly useful!\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003e1. AN A\/B TRUE BYPASS LOOPER\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003ePlace a pedal or chain of pedals in the first loop and place a different pedal or chain of pedals in the second loop. The toggle\/red remote will allow you to quickly switch between those two loops. This is great for instantly placing different effects chains in and out of your rig on the fly or for shooting out two pedals with zero dead time in-between playing… Find out if that old TS808 sounds better than your TS-9 :-) if you demo different pedals, this is a must have.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. A SIMPLE TRUE BYPASS LOOPER\u003c\/strong\u003e\u003cbr\u003ePlace your pedal or chain of pedals that you want in the first loop. The toggle\/Red Remote will now toggle between the loop with your effects and the clean bypass signal. There’s no need to bridge the second loop with a patch cable as the Switchback automatically bypasses any loop where there’s nothing plugged in to the jack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3. AN A\/B BOX\u003c\/strong\u003e\u003cbr\u003eSimply use Send 1 and Send 2 to go to two different amps or any other application where you need two switchable outputs, and don’t use the output. Again, using the Red Remote gives you the ability to switch on the fly while playing!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4. AN AMP INPUT SWITCHER\u003c\/strong\u003e\u003cbr\u003eUse Send 1 to channel one and Send 2 to channel two. This allows you to “channel switch” on any amp with multiple inputs like old Marshalls and Fenders!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5. AN EFFECTS LOOP A\/B\u003c\/strong\u003e\u003cbr\u003ePlug your amp's effects loop Send into the input and the amps return into the output. Then toggle between the two loops of the Switchback as in example #1 above. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eBecause of the red remote function you can place the Switchback and any effects in its loops completely out of sight under your pedal board or in a rack while only having the small 2\"x2” Red Remote accessible!!!\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Switchback could become an essential utility in your touring rig or studio, helping you solve many switching puzzles with your rig. So grab a Switchback and get to climbing!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48722430066996,"sku":"SW","price":199.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Switchback-Pedal-One-Input-One-Output-2x-Separate-Selectable-Effects-Loops-Infinite-Music.webp?v=1753255045"},{"product_id":"jhs-morning-glory-v4-overdrive-pedal","title":"JHS Morning Glory V4 Overdrive Pedal","description":"\u003ch1\u003eJHS Morning Glory V4 Overdrive Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xIZ6hXSY2CQ?si=nOOdj0Moxq-PmY0t\u0026amp;start=41\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eMORNING GLORY\u003c\/h3\u003e\n\u003ch2\u003e\n\u003cstrong\u003eOVERDRIVE\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThe Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTRULY TRANSPARENT TONE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Gain control sweeps from completely clean to rock‘n’roll\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Tame high end on brighter rigs with the side-mounted bright-cut switch\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Increased headroom and output for use as a full-frequency boost\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eON-THE-FLY VERSATILITY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Switch to a more powerful sound with enhanced low end and grit\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Handy LED changes from blue to red, indicating the status of the boost circuit\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Bigger white enclosure with black knobs; no bright-cut switch; no logo.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Changed to smaller current enclosure; gold powder coat color.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV3 = Bright-cut toggle added.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV4 = Two times more headroom; Gain Toggle added; Red Remote system added.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 43MA, AND MEASURES 2.6\" X 4.8\" X 1.6\". \u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48722437865780,"sku":"JHSMG","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Morning-Glory-V4-Overdrive-Pedal-Infinite-Music.webp?v=1753255049"},{"product_id":"jhs-angry-charlie-v3-overdrive-pedal","title":"JHS Angry Charlie V3 Overdrive Pedal","description":"\u003ch1\u003eJHS Angry Charlie V3 Overdrive Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3FsTqx8pDo0?si=QWW77MIDFe0lCBKJ\u0026amp;start=41\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch3 class=\"product__title heading-size-10\"\u003eANGRY CHARLIE V3\u003c\/h3\u003e\n\u003cdiv id=\"shopify-section-template--15955395706980__main\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product-section palette--light bg--neutral\" data-product-handle=\"angry-charlie-v3\" data-section-id=\"template--15955395706980__main\" data-section-type=\"product\" data-enable-video-looping=\"true\" data-thumbs-align=\"\" data-enable-history-state=\"true\" data-product-sticky-enabled=\"true\" data-tall-layout=\"false\"\u003e\n\u003cdiv class=\"product__wrapper product__wrapper--thumbnails wrapper section-padding\"\u003e\n\u003cdiv class=\"product-content\"\u003e\n\u003cdiv class=\"grid grid--product\"\u003e\n\u003cdiv class=\"grid__item grid__item--product\"\u003e\n\u003cdiv class=\"product__form__wrapper\" data-form-wrapper=\"\"\u003e\n\u003cdiv class=\"product__block product-description rte rte--column accordion-neighbor\"\u003e\n\u003ch2\u003e\u003cstrong\u003eOVERDRIVE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThe Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive\/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eFURIOUS-SOUNDING AMP IN A BOX\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Turns any amp into a screaming Marshall stack\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Drive and Volume control interact the same as a master volume amp head\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMARSHALL-STYLE TONE STACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control, so we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Active controls boost and cut their selected frequencies\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003e V1 = Larger enclosure and three controls; no Presence Control.\u003c\/p\u003e\n\u003cp class=\"\"\u003e V2 = Changed to current production size enclosure; diamond knob layout; Presence\u003c\/p\u003e\n\u003cp class=\"\"\u003eControl added.\u003c\/p\u003e\n\u003cp class=\"\"\u003e V3 = Color change to red; added three-band tone stack; five controls total; U-shaped knob layout.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL USES 9V TO 18V NEGATIVE CENTER. THIS PEDAL CAN BE RUN AT 18V FOR MORE HEADROOM AND GREATER DYNAMICS. DO NOT USE MORE THAN 18V DC. MEASURES AT 2.6\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"shopify-section-template--15955395706980__related\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product__related section-collection\"\u003e\n\u003cdiv class=\"wrapper section-padding\"\u003e\n\u003cdiv class=\"section-collection__foreground\"\u003e\n\u003cdiv class=\"section-collection__inner\"\u003e\n\u003cdiv class=\"slider-actions\" data-slider-actions=\"\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"grid grid--uniform related__inner grid--inner-offsets flickity-disabled-mobile flickity-enabled is-draggable\" data-slideshow=\"\" data-custom-scrollbar-items=\"\" data-related-products=\"\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flickity-viewport\"\u003e\n\u003cdiv class=\"flickity-slider\"\u003e\n\u003cdiv class=\"grid__item 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1296w 1296h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHS_Pedals_Hard_Drive_BLACK_1512x.png?v=1718995648 1512w 1512h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHS_Pedals_Hard_Drive_BLACK_1728x.png?v=1718995648 1728w 1728h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHS_Pedals_Hard_Drive_BLACK_1950x.png?v=1718995648 1950w 1950h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHS_Pedals_Hard_Drive_BLACK_2100x.png?v=1718995648 2100w 2100h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHS_Pedals_Hard_Drive_BLACK_2260x.png?v=1718995648 2260w 2260h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHS_Pedals_Hard_Drive_BLACK_2450x.png?v=1718995648 2450w 2450h,\n  \n  \n  \n  \n  \n  \/\/jhspedals.info\/cdn\/shop\/files\/JHS_Pedals_Hard_Drive_BLACK.png?v=1718995648\n  2500w 2500h\" role=\"img\" aria-label=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"grid__item small--one-half mobile--nine-tenths medium--one-half 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\/\/jhspedals.info\/cdn\/shop\/files\/JHSPedalsKiltV2_1512x.png?v=1698431980 1512w 1512h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHSPedalsKiltV2_1728x.png?v=1698431980 1728w 1728h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHSPedalsKiltV2_1950x.png?v=1698431980 1950w 1950h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHSPedalsKiltV2_2100x.png?v=1698431980 2100w 2100h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHSPedalsKiltV2_2260x.png?v=1698431980 2260w 2260h,\n  \/\/jhspedals.info\/cdn\/shop\/files\/JHSPedalsKiltV2_2450x.png?v=1698431980 2450w 2450h,\n  \n  \n  \n  \n  \n  \/\/jhspedals.info\/cdn\/shop\/files\/JHSPedalsKiltV2.png?v=1698431980\n  2500w 2500h\" role=\"img\" aria-label=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48722440519988,"sku":"AC","price":329.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Angry-Charlie-V3-Overdrive-Pedal-Infinite-Music.webp?v=1753255052"},{"product_id":"jhs-424-gain-stage-preamp-distortion-overdrive-pedal","title":"JHS 424 Gain Stage Preamp \/ Distortion \/ Overdrive Pedal","description":"\u003ch2\u003eJHS 424 Gain Stage Preamp \/ Distortion \/ Overdrive Pedal\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yLLQKLwaYMQ?si=XruAwb1UhmYSzRQ1\u0026amp;start=77\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 424 Gain Stage gives all the elastic, lo-fi tone inspired by a guitar being plugged straight into a vintage 424 multi-track recorder.  With the 424 Gain Stage pedal, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that’s being repopularized by today’s emerging guitarists.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMulti-track recorders were made famous in the ‘80s and ‘90s, and gave musicians and songwriters the ability to bring our songs to life from the comfort of our cluttered bedrooms. These devices meant for home studios eventually found their way onto hit records like Springsteen’s \u003c\/span\u003e\u003cspan\u003eNebraska, \u003c\/span\u003e\u003cspan\u003ethe Wu-Tang Clan’s \u003c\/span\u003e\u003cspan\u003eEnter the Wu-Tang, \u003c\/span\u003e\u003cspan\u003eand Spoon’s \u003c\/span\u003e\u003cspan\u003eGimme Fiction\u003c\/span\u003e\u003cspan\u003e. Many of the vocal parts and fuzzy guitar tracks on \u003c\/span\u003e\u003cspan\u003eGimme Fiction \u003c\/span\u003e\u003cspan\u003e– a huge inspiration for the creation of the \u003c\/span\u003e\u003ca href=\"https:\/\/jhspedals.info\/collections\/all-products\/products\/colour-box-10\"\u003e\u003cspan\u003eColour Box \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e– were actually recorded on a vintage multi-track unit. Since hearing those recordings, the 424 Gain Stage has been brewing in the background, and now we’re proud to bring it to you.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this historically accurate recreation, \u003cstrong\u003ewe perfectly replicated the original 424 MKI circuit using the original UPC4570 and NJM4565 op-amps\u003c\/strong\u003e and all the original controls, which is crucial for recreating the unique character that makes the old units sound so good.  The 424 MKI's gain controls–trim, channel volume, \u0026amp; master volume–all work in tandem for dialing up your desired tone and can be further refined with the Low and High EQ settings. In addition, our unit offers a ¼” output alongside a balanced XLR output (DI out) for ultimate flexibility in any situation, live or studio.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe 424 Gain Stage as a DI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGoing DI will give you the exact same unparalleled gooey texture and lo-fi fuzz you get when plugging directly into a 424 without the hassle of dragging around your beloved vintage unit. Leave it on your recording desk for easy access. If you want to get fancy,  you can toss an \u003c\/span\u003e\u003ca href=\"https:\/\/jhspedals.info\/products\/active-a-b-y\"\u003e\u003cspan\u003eActive A\/B\/Y\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e switcher at the end of your rig and send the A output to your amp and the B output to the JHS 424 Gain Stage input, then XLR output of the pedal directly into your mixer or interface. This way, you can flip between your amp and the 424 Gain Stage easily or play through both at the same time. Give it a try! \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe 424 Gain Stage with an Amp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlugging a vintage 424 unit into your amp is quite a feat. In this pedal format, you can easily integrate the tone of the 424 with the saturation of your favorite amp. This adds a whole new quality to the tone and gives the ability to stack it with your other pedals. Use it as a gain stage to boost your signal, a unique and colorful new overdrive sound, or push the gain knobs into full-on overloaded and broken fuzz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4\u003eCONTROLS\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eVOLUME\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Corresponds to 424 MKI's Master) \u003c\/span\u003e\u003cspan\u003e- Controls the output volume. Left is less, right is more.  On the 424 MKI, this is the MASTER fader. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eGAIN 1\u003c\/strong\u003e (TRIM) \u003c\/span\u003e\u003cspan\u003e- Sets how much preamplification will be added to the input signal.  On the 424 MKI, this is the TRIM control.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eGAIN 2\u003c\/strong\u003e (CHANNEL) \u003c\/span\u003e\u003cspan\u003e- Sets the volume level of the second gain stage. On the 424 MKI, this is the CHANNEL fader.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eBASS\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e- Cuts or boosts bass frequencies. Left is less, right is more. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTREBLE\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e- Cuts or boosts the treble frequencies. Left is less, right is more.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e- Top ¼” right jack.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e- Top ¼” left jack.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eXLR OUTPUT\u003c\/strong\u003e\u003cspan\u003e - XLR jack on the left side of the pedal. This is a balanced output which can be used as a direct-out straight into a mixer or interface. The 1\/4” output and XLR output can be used simultaneously.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eGROUND LIFT\u003c\/strong\u003e\u003cspan\u003e - Dip switch on the left side of the pedal. If you experience a hum\/buzz while using the XLR output, use this switch to lift the ground.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003cspan\u003e - Requires 9VDC center negative power and consumes 50mA. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 424 Gain Stage is silent, soft touch switching with a buffered bypass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 50MA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003c\/h6\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48944339648820,"sku":"424","price":415.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-424-Gain-Stage-Preamp-Distortion-Overdrive-Pedal-Infinite-Music.webp?v=1762931874"},{"product_id":"jhs-unicorn-v2-univibe-vibrato-pedal","title":"JHS Unicorn V2 - Univibe\/Vibrato Pedal","description":"\u003ch2\u003eJHS Unicorn V2 - Univibe\/Vibrato Pedal\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wWYvHxnqxNg?si=J5XXSibHo7DOvKor\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eUNI-VIBE* \/ VIBRATO\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eIn 2015 we brought you the Unicorn V1, the world's first bulb-driven photocell modulator with tap tempo, the JHS Uni-Vibe. As of Spring 2018, we are proud to bring you the Unicorn V2!\u003c\/p\u003e\n\u003cp class=\"\"\u003ePink Floyd’s “Breathe,” Jimi Hendrix’s live Woodstock performance of “The Star-Spangled Banner,” and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation\/phasing\/rotary sounds that never fail to push musical boundaries. And just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. You’re welcome.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eSOUNDS AS GOOD AS YOU REMEMBER\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Unicorn is bursting with all the lush and washy pulsations that changed what the electric guitar could sound like in the 1960s. And this is no digital emulation. The Unicorn sports the real-deal, analog photocell topology of the original units.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Sounds like the original because it’s built like the original\u003c\/p\u003e\n\u003cp class=\"\"\u003e- All-analog signal path delivers a warm, touch-sensitive tone\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Dry\/Wet toggle selects between a Uni-Vibe* and vibrato effect\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eIN-DEPTH TEMPO CONTROL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThere are other analog vibe pedals and there are pedals with tap-tempo control, but-- if you’ll indulge us in a brief humble brag --the JHS Unicorn is the first to put ‘em together. Add optional external speed control and a ratio knob that determines the rhythmic subdivisions (or as we like to say, how much fairy dust enters into the flux capacitor of the Unicorn) and you have one of the most versatile vibe pedals on the market.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Control the rate of the effect with the Speed knob or onboard tap-tempo footswitch\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Want quarter note, dotted eighth, or triplet rhythms? They’re all found on the Ratio knob\u003c\/p\u003e\n\u003cp class=\"\"\u003e- LED indicator notifies you of the effect’s tempo, even when disengaged\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eEXTERNAL TEMPO AND EXPRESSION CONTROL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eBut wait, there’s more! One of the things that makes the vintage Shin-ei* Uni-Vibes* so desirable is your ability to control the effect’s rate in real time with an external expression pedal. How could we not include that!? And to go one step further, you can slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Internal Tap\/Expression mini switch controls the side-mounted Tap\/Exp TRS jack\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Expression pedal control of the Unicorn’s rate in the Exp setting\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Use an external source to control the rate in the Tap Out setting (which coincidentally works great with our Panther Cub Delay and Emperor Chorus pedals)\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCOULDN’T BE EASIER TO USE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eOne of the things we’re most proud of with the Unicorn Uni-vibe* Photocell Modulator is how easy it is to dial up the exact pulse of a mystical Unicorn running across a field of 4-leaf clovers…but only if you dare.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Four knobs and a mini toggle are all you need for a world of syrupy, modulated tones\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Left two controls are your tone, right two controls are your speed, toggle is your effect. It’s that simple.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Larger enclosure.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Smaller enclosure.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 100MA, AND MEASURES 2.2” X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48944357736756,"sku":"UNI","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Unicorn-V2-UnivibeVibrato-Pedal-Infinite-Music.webp?v=1763018240"},{"product_id":"jhs-buffered-splitter-utility-pedal","title":"JHS Buffered Splitter Utility Pedal","description":"\u003ch2\u003eJHS Buffered Splitter Utility Pedal\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/DMRayCgDAkM?si=dXAMkDLDxkjs20-z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eBUFFER UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThere are so many reasons to add the JHS Pedals Buffered Splitter to your pedalboard. But the most important one is great tone. If you’ve ever split your guitar’s signal with a passive device, adapter, or even certain effects pedals, you know that the results can sometimes be less than stellar. This happens because many of those products simply cut your tone in two, sending one half one way and the other half the other way. You can end up with a tone that is muddy and lifeless. Adding our Buffered Splitter to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Trust us on this one. If you need to split your signal for any host of reasons, putting our Buffered Splitter on your board will give you your tone back.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eSIMPLE AND EFFECTIVE SIGNAL-SPLITTING DEVICE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThere are a ton of applications for adding a Buffered Splitter to your signal chain. Whether moving a tuner out of line or running a dual-amp setup, once you use the JHS Buffered Splitter, you’ll never be without one again. Here are just a few options.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Send one signal to a tuner that is out of the signal chain while retaining your full tone\u003cbr\u003e- In a dual-amp setup, both amplifiers will see a powerful, clean signal\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eKEEPS YOUR TONE CLEAR, POWERFUL, AND PRISTINE \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eIf you’re as pedal happy as we are at JHS, you’re going to want this quality buffer in your signal chain. The Buffered Splitter is like giving each output a shot of adrenaline, ensuring they hit your amp with the same strength and character as they left your fingers.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chains\u003cbr\u003e- Retains the original tone of your guitar without coloration from the other gear in your signal chain\u003c\/p\u003e\n\u003ch4\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/h4\u003e\n\u003cp class=\"\"\u003eA device such as the Buffered Splitter is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- Can easily be mounted underneath your board\u003cbr\u003e- Built rugged\u003cbr\u003e- Black powder coating keeps the buffer hidden in the background\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 19MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Little Black Buffer\/Buffered Splitter is designed to work with signal levels up to +4dBu. Exceeding +4dBu will cause clipping!\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48944372744500,"sku":"BS","price":159.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Buffered-Splitter-Utility-Pedal-Infinite-Music.webp?v=1763018241"},{"product_id":"jhs-little-black-buffer-utility-pedal","title":"JHS Little Black Buffer Utility Pedal","description":"\u003ch2\u003eJHS Little Black Buffer Utility Pedal\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c1Yq9Zp0Dwc?si=tpIH24Xe0Hhkx1mO\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eBUFFER UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThough it’s a fairly nondescript-looking piece of gear, our Little Black Buffer may be the most powerful tone-shaping tool that you put on your pedalboard. By adding it to your signal path, you’ll restore all the high-end detail, output level, and tonal character that involved pedal chains and long cable runs steal away. And because the Little Black Buffer is an on-all-the-time sort of thing, you can save precious real estate by mounting it on the underside of your pedalboard. Give the Little Black Buffer a try. You’ll wonder how you went so long without one. \u003c\/p\u003e\n\u003ch4\u003eKEEPS YOUR TONE CLEAR, POWERFUL, AND PRISTINE\u003c\/h4\u003e\n\u003cp class=\"\"\u003eIf you’re as pedal happy as we are at JHS, you’re going to want a quality buffer in your signal chain. The Little Black Buffer is like giving your guitar’s tone a shot of adrenaline, ensuring it hits your amp with the same strength and character as it left your fingers.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chains\u003cbr\u003e- Retains the original tone of your guitar without tone loss from other gear in your signal chain \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eAn active buffer, such as the Little Black Buffer, is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- Can easily be mounted underneath your board\u003cbr\u003e- Built rugged\u003cbr\u003e- Black powder coating keeps the buffer hidden in the background\u003c\/p\u003e\n\u003cp class=\"\"\u003ePlug your guitar straight into the input then out into your pedal chain. No need for a switch.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 19MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Little Black Buffer\/Buffered Splitter is designed to work with signal levels up to +4dBu. Exceeding +4dBu will cause clipping!\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48944379396404,"sku":"LBB","price":139.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Little-Black-Buffer-Utility-Pedal-Infinite-Music.webp?v=1763018243"},{"product_id":"jhs-mini-a-b-pedal","title":"JHS Mini A\/B Pedal","description":"\u003ch2\u003eJHS Mini A\/B Pedal\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/sUEECcEjAdE?si=Z53uB3CrpRTypEMy\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eSWITCHING UTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThere are two types of players, those that utilize an A\/B box like our Mini A\/B here, and those that don’t know what they’re missing. Add one to your pedalboard, and you’ll find the Mini A\/B is full of indispensable benefits on the gig, in the studio, or even at home. At its core, the simple footswitch design selects between a pair of ¼” jacks on the left side of the unit. Hook one up and you’ll instantly be switching between amps, quickly swapping guitars between songs, using it to isolate your tuner from your signal, killing your stage sound as a mute, and more. And with its adorably tiny footprint, the Mini A\/B will fit on even the most cramped pedalboards.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTHE DO-IT-ALL SWITCH\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eHow many ways you utilize the JHS Mini A\/B is only limited by your necessity. While it may not be a modulation pedal or fuzz (don’t worry, we have those for you too:\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/jhspedals.info\/products\/emperor-v2\" target=\"_blank\"\u003eEmperor,\u003c\/a\u003e \u003ca rel=\"noopener\" href=\"https:\/\/jhspedals.info\/products\/muffuletta\" target=\"_blank\"\u003eMuffuletta\u003c\/a\u003e), you’ll be hard pressed to find a pedal you step on more than this little gem.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Instantly swap between two instruments\u003cbr\u003e- Perfect for switching tones on dual-amplifier rigs\u003cbr\u003e- Isolate your tuner from the signal chain, while achieving silent onstage tuning\u003cbr\u003e- Leave output unplugged for a convenient mute function\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONVENIENT LOW-PROFILE DESIGN\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eLike its name suggests, the Mini A\/B is a bite-sized wonder. We can achieve that because of its passive design, which also means it won’t cause any tonal loss. However, we did choose to include a bright LED indicator, letting you know which jack is selected. Don’t need that light? Just unplug the power cable. The Mini A\/B will still work just fine.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Small size is ideal for saving pedalboard space\u003cbr\u003e- LED indicator tells you which ¼” you have selected\u003cbr\u003e- Can run perfectly without power\u003cbr\u003e- Built rugged\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL IS PASSIVE BUT REQUIRES STANDARD 9V DC NEGATIVE POWER FOR THE LED TO FUNCTION AND IT MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48944382181684,"sku":"MAB","price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Mini-AB-Pedal-Infinite-Music.png?v=1763018247"},{"product_id":"jhs-summing-amp-utility-pedal","title":"JHS Summing Amp Utility Pedal","description":"\u003ch2\u003eJHS Summing Amp Utility Pedal\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/DMRayCgDAkM?si=bzn3bfAuzBMHXDlA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eUTILITY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\"\u003eThe JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output.  Simply plug into the two marked inputs and then plug in your single output and you’re ready to go. From two signals the Summing Amp creates one mono signal.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThis is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the 80s with his delays. When you have a quarter note delay and a dotted eighth delay and you place them in parallel then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays”. This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects. This simple little box takes two inputs and creates one output but it adds up to a whole lot more!\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 19MA, AND MEASURES 3.6\"X1.5\"X1\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE SUMMING AMP IS DESIGNED TO WORK WITH INPUT SIGNALS THAT ARE BELOW 14V INPUT GAIN. ANYTHING ABOVE 14V INPUT GAIN WILL CAUSE THE UNIT TO CLIP.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":48944386146612,"sku":"SA","price":145.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Summing-Amp-Utility-Pedal-Infinite-Music.jpg?v=1763018249"},{"product_id":"jhs-fumble-clean-boost-pedal","title":"JHS Fumble Clean Boost Pedal","description":"\u003ch2\u003eJHS Fumble Clean Boost Pedal\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jqIyBwcQp0Y?si=TZ-d3udlhoF5P3Al\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Fumble exists because we made the biggest mistake in JHS history.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn May of 2025, we released the NOTADÜMBLË — our second solderless DIY kit pedal, containing two of the most coveted sounds from the Dumble universe. The overdrive side was correct: a boutique style overdrive built around the lead tone people associate with Larry Carlton, Eric Johnson, and Robben Ford. The clean side, however, was supposed to be a reverse engineered copy of the \"A Box Later,\" a buffered effects loop device that Howard Dumble built sometime in the 1980s outside of his amplifier designs. John Mayer owns one of these obscure units and lent it to us. I replicated it, \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/-MLiMJRlC9s?si=zu3mzHwmeCZIF1nl\u0026amp;t=184\"\u003e\u003cspan\u003enamed it Box It Later\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e, and that replica has traveled the world on John's pedalboards consistently \u003c\/span\u003e\u003ca href=\"https:\/\/www.guitarworld.com\/news\/john-mayer-2021-pedalboard\"\u003e\u003cspan\u003esince 2021\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e.  I thought I put that circuit in the NOTADÜMBLË as the clean side.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eI didn't.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA week after launch, while planning a Short Circuit episode video about the NOTADÜMBLË, I discovered I had used the wrong circuit. The clean side of the NOTADÜMBLË wasn’t the  “A Box Later”– it was something else entirely. Something I had also reverse engineered back in 2019 also for John, and then completely forgotten about. A separate Dumble preamp box that lived in a different archive location in our R\u0026amp;D storage. I had confused the two similar circuits and made a horrible mistake.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eI made a \u003c\/span\u003e\u003ca href=\"https:\/\/youtu.be\/-MLiMJRlC9s?si=2izTL4vx3gsxBbBg\"\u003e\u003cspan\u003evideo\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e. I told everyone. We sold through the remaining  inventory, discontinued the NOTADÜMBLË V1 after our batch of 15,000 sold out, and refunded anyone who asked to return their unit.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEnter the Fumble.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWHAT THE FUMBLE ACTUALLY IS\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Fumble is a faithful production version of the other circuit I cloned for John: the Dumble BBC-1. Once the NOTADÜMBLË V1 was discontinued, customers started telling us how much they loved that circuit and how they wished it was sold separately. The Fumble is that exact circuit, now in its own compact enclosure with its own self-deprecating name, an $89 price point, and no kit to build.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere is where the story gets stranger than fiction. While digging back through the original Dumble unit's history, we realized the BBC-1 isn't really a Dumble circuit at all. It's a JFET preamp lifted almost part for part from a Barcus Berry acoustic preamp made in the 1970s — the kind of small utility box that bridged piezo pickups into electric guitar amps in an era when nobody had a modern acoustic preamp. Howard cloned it. Put it in his own enclosure for a handful of local LA players. He then used the same JFET stage inside his amplifiers and called it the FET mode.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhich means the legendary Dumble FET sound — the one inside $200,000 to $400,000 amps — is a clone of a 1970s piezo preamp.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Fumble is a clone of that clone of that clone. Three generations deep into one of the strangest chains of events in pedal history\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWHAT IT DOES\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Fumble has two knobs, true bypass switching, and creates a particularly enhanced clean tone.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT is your master volume. Turn it up for more volume.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT is the one that surprises people. It is not a standard gain knob. It attenuates bass and input gain at the front of the circuit simultaneously. Fully right has no cut — consider it a bypass of the control. As you turn the knob to the left, bass and gain are gradually attenuated. Roll it down for a thinner, tighter response. Roll it up for a fuller, louder one. There is almost nothing else on the market that boosts in this way.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eUse the Fumble four ways :\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e1. As a permanent buffer and clean boost at the front of your board. Set the output low, dial the input to taste. It tightens up everything downstream and gives you a sweetener you stop noticing because you never want to turn it off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e2. To slam the front of your overdrives. This is the secret most players miss. We default to stacking gain after gain after gain. Putting a clean JFET boost like this before a Timmy, a King of Tone, a Klon, or a Morning Glory — that's often the better second stage you've been hunting for but just didn't know it.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e3. To slam the front of a dirty amp. Tweed, Plexi, anything broken up. The Fumble makes it bigger and more articulate. Roll the input back for a tighter, treble forward attack into a cranked amp.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e4. As a solo boost at the end of the chain. Crank the output, set the input where it feels best, hit it for the chorus or the solo. Done.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWHO THIS IS FOR\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you bought the NOTADÜMBLË V1 and loved the clean section, this is what was actually inside it.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you missed it, this is a beautifully simple JFET clean boost with a control set you won't find anywhere else.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you've ever paid a lot of money for a Dumble style boost from another builder, you should know the genuine article is simple. Uncomplicated. Affordable. It was always a version of an acoustic guitar preamp from the 70's.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eWHO THIS ISN'T FOR\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is not an overdrive or a high gain pedal. If you want the lead tone half of the Dumble equation, you will want the NOTADÜMBLË V2 which updates the V1 with the the proper Box It Later clean section and the overdrive channel – in a single solderless DIY kit with two footswitches, an order toggle, and an added effects loop.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHE NAME\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWe've had the \"Fumble\" name and football helmet icon rolling around internally since April 10, 2012. It was originally going to be a Dumble style overdrive in our catalog, but the Moonshine took its place years ago.  We never seriously revisited the Fumble project after then and the icon and rubber hand stamp went into a drawer for fourteen years. When all of this happened in 2025, the name was already there, waiting for the biggest fumble we had ever made as a company. Sometimes the universe hands you the punchline way in advance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTrue bypass JFET clean boost\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTwo controls : Input (bass and gain attenuator), Output (master volume)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e9V DC center negative, 5mA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAssembled in Kansas City\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTHIS PEDAL MEASURES 1.96\" X 3.93\" X 1.21\" AND CONSUMES 5mA. DO NOT USE MORE THAN 9VDC CENTER NEGATIVE. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/span\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":49171778830644,"sku":"FUMBLE","price":145.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Fumble-Clean-Boost-Pedal-Infinite-Music.png?v=1782469916"},{"product_id":"jhs-3-series-glitch-delay-pedal","title":"JHS 3 Series Glitch Delay Pedal","description":"\u003ch1\u003eJHS 3 Series Glitch Delay Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cern9vnciUo?si=kIim1XPnMaCAk2_N\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, careful quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 3 Series Glitch Delay is a delay pedal built around one singular obsession: time-based glitching. Inspired by the legendary Line 6 DL-4 and the ambient, smearing delay work of Bill Frisell, this pedal locks your core delay time in place while a randomized glitch event alters the playback speed in real time. This bends, drags, and warps repeats inside the delay circuit’s feedback loop. The result is a living, breathing delay that moves with you without losing your tempo. With Glitch fully counterclockwise it's a warm, musical delay pedal. No glitch, just classic delay tones that will fit any rig. Turn it clockwise and glitch probability increases up to 50% (when the knob is full clockwise), with the LED flashing in sync with each event. The Time control spans 20ms to 980ms, from tight slapback to long ambient pads. The Repeats control adds beautiful modulation as it climbs, and an internal limiter allows endless, never-runaway feedback. New notes stack on top of older, slowly dissolving repeats. The Mix toggle sets delay level at either a subtle 35% or a more present 80%. This is an easy to use pedal where no setting sounds bad. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Glitch Delay runs on 9VDC center negative power and consumes 65mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLENGTH 4.42\" X WIDTH 2.38\" X HEIGHT 1.22\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":49172648526132,"sku":"3SGD","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Glitch-Delay-Pedal-Infinite-Music.webp?v=1782469945"},{"product_id":"jhs-3-series-ring-modulator-pedal","title":"JHS 3 Series Ring Modulator Pedal","description":"\u003ch1\u003eJHS 3 Series Ring Modulator Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bknbIocDWt4?si=rc0rXIvgk0rUSTSO\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, careful quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 3 Series Ring Modulator covers it all, from subtle, invisible modulation to full metallic chaos, with two distinct modes. The Blend knob mixes the ring modulation against your dry signal. The Frequency knob controls the speed of the ring modulator's oscillator, moving from slow, pulsing movement at lower settings to bell-like, metallic tones at higher ones. The Mode toggle selects between two algorithms. Down is Earworm mode, inspired by the now discontinued Way Huge Ringworm. The Tweak knob introduces an auxiliary LFO that adds wobble and movement to the modulation, turning a fixed ring mod into something alive and animated. Up is Green Lantern mode, inspired by the Green Ringer circuit, a wave rectifier that produces a natural-sounding octave effect alongside the ring modulation. In this mode, Tweak blends the octave effect from off to 100%. Used subtly under a solo, it adds a barely-there harmonic presence. Pushed hard with gain in front of it, it becomes something considerably wilder. Ring modulation has been around since the 1970s, and this pedal is our take on giving you everything the effect has to offer in one of  the simplest possible packages. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe JHS Pedals 3 Series Ring Modulator runs on 9VDC center negative power and consumes 65mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLENGTH 4.42\" X WIDTH 2.38\" X HEIGHT 1.22\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":49172648624436,"sku":"3SRM","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Ring-Modulator-Pedal-Infinite-Music.webp?v=1782469949"},{"product_id":"jhs-3-series-bit-crusher-pedal","title":"JHS 3 Series Bit Crusher Pedal","description":"\u003ch1\u003eJHS 3 Series Bit Crusher Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aEz0X5BXDpE?si=WiYBvakavJeXsF7r\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 15.0pt 0cm;\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; color: black;\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, careful quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; color: #333333;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 15.0pt 0cm;\"\u003e\u003cspan style=\"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; color: black;\"\u003eThe 3 Series Bitcrusher was built from scratch to do two things with precision: reduce bit depth and reduce sample rate, with a filter to shape the result. The Crush knob controls bit depth, moving from full 24-bit resolution counterclockwise down to 1-bit clockwise,from unprocessed through grainy and textured, into square-wave aggression and gated digital distortion. The Sample Rate knob works counterclockwise from a clean 32.768 kHz down to 2.5 Hz, introducing aliasing and artifacts that range from subtle harmonic shifts to metallic, ring-mod-like chaos and full digital collapse. The Filter knob shapes both, fully clockwise is unfiltered. Turn counterclockwise to sweep the corner frequency and increase the filtering. The Type toggle selects the filter character: down is a second-order low-pass with no resonant peak, inspired by vintage synthesizers like Oberheim, full-bodied and well-suited to bass guitar. Toggle up is a high-pass and low-pass swept in succession, focusing a band of strong mid-range frequencies that evokes the small speaker sound of a handheld game console. Under the hood, this pedal applies a zero-hole filter,a theoretical signal processing concept that had never found a practical application until it became part of this circuit.\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; color: #333333;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 15.0pt 0cm;\"\u003e\u003cspan style=\"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; color: black;\"\u003eThe JHS Pedals 3 Series Bitcrusher runs on 9VDC center negative power and consumes 65mA.\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; color: #333333;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin: 0cm 0cm 15.0pt 0cm;\"\u003e\u003cspan style=\"-ms-text-size-adjust: 100%; -webkit-text-size-adjust: 100%;\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; color: black;\"\u003eLENGTH 4.42\" X WIDTH 2.38\" X HEIGHT 1.22\"\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; color: #333333;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":49172648788276,"sku":"3SBC","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-3-Series-Bit-Crusher-Pedal-Infinite-Music.webp?v=1782469953"},{"product_id":"jhs-kilt-10-overdrive-fuzz-distortion-pedal","title":"JHS Kilt 10 Overdrive \/ Fuzz \/ Distortion Pedal","description":"\u003ch2\u003eJHS Kilt 10 Overdrive Pedal\u003c\/h2\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Dug077a4_KU?si=palBLqm5kpXTNPmN\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch2 dir=\"ltr\"\u003e\u003cstrong\u003eTHE KILT 10 - CELEBRATING A DECADE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter ten years, the Kilt gets a refreshed voice and reimagined aesthetic. An updated clipping section delivers more headroom, smoother attack, and a richer, more dynamically useful drive range than ever before.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHERE IT BEGAN\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 2015 we launched the ultimate dirt pedal with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious?), and we never looked back. He wanted a pedal that could cover any ground he needed for his studio work and extensive touring gigs across the globe. From that request, the Kilt was born, and ever since, it has been one of our best-selling overdrive\/distortion pedals year after year.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eTHE EVOLUTION OF OVERDRIVE\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe original Kilt carved out its own space in a crowded field by focusing on clarity, versatility and musical responsiveness. But over the years, we kept hearing the same requests: more headroom for cleaner tones, more audible effect from the flat\/cut toggle, and more control over the low-gain textures. The Kilt 10 addresses every one of these requests while maintaining the DNA that made you fall in love with the Kilt in the first place. It's what you love but better.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHAT'S NEW FOR 2025\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAn Updated Look –\u003c\/span\u003e\u003cspan\u003e The finish returns to polished aluminum as a tribute to the original Kilt V1, now paired with classic Expandora-style knobs. It’s wrapped up with a refreshed Kilt icon that cleverly nods to both the Scottish flag and the Roman numeral “X” to represent ten years.  \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eImproved Gain Control\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e The gain knob now offers a far more usable range from 0-25%, unlocking articulate, low-gain textures that weren't previously accessible. No more dead zones — just smooth, musical breakup from whisper-quiet to full saturation.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEnhanced High-End Clarity\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e We've refined the top end to help the pedal cut through a mix with greater definition, which is especially noticeable in live band settings where every bit of clarity counts.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eIncreased Volume Headroom\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e More output on tap translates into a more responsive tone across your entire rig, adding dimension and feel whether you're hitting a clean amp or stacking with other drives.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eRefined Toggle Switches\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e The gain toggles have been tweaked for more usable gain parameters while keeping the pedals original feel and settings. The Low-Cut toggle is now far more amp-friendly, working well across a wider range of amplifiers (including amp modeler pedals and software).\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDiode Choice Enhancement\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e: \u003c\/strong\u003eA new clipping circuit adds more touch-sensitive feel and nuance without departing from the pedal's core identity. It has slightly more compression, distortion on tap, and a smoother attack. Think Kilt V2 but bigger. From the first chord you play, you will love how it feels. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eHOW TO USE IT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe beauty of the Kilt 10  is that it functions exactly like the Kilt V2. With G1 down and G2 up, it acts like a higher gain stage boost—perfect for pushing your amp's front end or stacking with fuzz. Flip both toggles up and you get that massive wall of saturated British overdrive that made the original famous. The improved gain sweep means you can dial in everything from edge-of-breakup rhythm tones to singing lead saturation to all out gated spitting fuzz.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe enhanced headroom and clarity make this version particularly suited for complex chord work and intricate picking patterns that would get lost in lesser overdrives.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnd don't forget—the Kilt comes equipped with proprietary JHS Red Remote circuitry that allows you to switch the gain toggle on-the-fly for instant changes between overdrive and distortion, or distortion and fuzz!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVOLUME\u003c\/span\u003e\u003cspan\u003e - Controls the output volume. Left is less, right is more.. More headroom means you no longer have to turn your volume up past noon and you have more ability to use as a boost. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGAIN\u003c\/span\u003e\u003cspan\u003e - Controls the amount of drive or distortion. Left is less, right is more. Never before has the first 25% of the gain range been so usable. You will find transparent overdrive textures that were never before possible as well as the familiar and much loved gating fuzz abilities that the last 25% of the range offers. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTONE\u003c\/span\u003e\u003cspan\u003e - Controls the amount of brightness. Left is darker, right is brighter. High-frequency control with enhanced clarity and improved amp compatibility. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eG1 \/ G2 TOGGLEs\u003c\/span\u003e\u003cspan\u003e - These toggles work together to give you up to 4 different resistance clipping options. Both toggles down is the lowest gain setting. G1 up gives you more overdrive. G2 up gives you more fuzz. Both toggles up gives you the heaviest gated fuzz the Kilt offers! The G2 \u003c\/span\u003e\u003cspan\u003etoggle can also be engaged by a Red Remote.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLOW-CUT TOGGLE\u003c\/span\u003e\u003cspan\u003e - The down position is flat EQ, while the up position is the “cut” mode with less bass. In “cut” mode lows are reduced  for an overall tone that cuts through the mix like never before. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT - Lower jack on the right side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT - Jack on the left side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRED REMOTE - Upper jack on the right side of the pedal with a red washer.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Kilt 10 isn't about reinventing the wheel — it's about perfecting it. We've taken a decade of player feedback, countless hours of refinement, and distilled it into what we believe is the most complete version of this classic circuit we've ever made.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKilt V1\u003c\/span\u003e\u003cspan\u003e = Larger enclosure; two foot switches; independent boost on right side; four knobs\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eand four toggles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKilt V2\u003c\/span\u003e\u003cspan\u003e = Smaller enclosure; three knobs and three toggles; Red Remote system added.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKilt 10 \u003c\/span\u003e\u003cspan\u003e= 10 Year Anniversary Special Edition Mod released in 2025. Polished aluminum finish with Expandora-style knobs. Updated Scottish flag-inspired icon \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 64mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":49172649509172,"sku":"K10","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Kilt-10-Overdrive-Fuzz-Distortion-Pedal-Infinite-Music.webp?v=1782469957"},{"product_id":"jhs-morning-glory-clean-pedal","title":"JHS Morning Glory Clean Overdrive Pedal","description":"\u003ch1\u003eJHS Morning Glory Clean Overdrive Pedal\u003c\/h1\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_KS9eS87Eg?si=uglPkcZCFHqvVgHM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eWHEN TRANSPARENT OVERDRIVE ISN'T GOOD ENOUGH\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWe took our most legendary overdrive to a new level and \u003c\/span\u003e\u003cspan\u003eredefined what it means to be transparent. Clearer pick attack, improved low end, and more versatile gain stacking. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is the ultimate first-stage overdrive pedal. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eIT STARTED AT SOUND CHECK. \u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eI watched \u003c\/span\u003e\u003ca href=\"https:\/\/www.julianlage.com\/\"\u003e\u003cspan\u003eJu­lian Lage\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e dial in his tone at a sound­check in Chica­go. Vin­ta­ge Fen­der amp. Collings semi-hol­low gui­tar. He ad­just­ed pickup heights, moved po­si­tions on stage, chas­ing the per­fect bal­ance. It was cap­ti­vat­ing. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJu­lian has used a Morn­ing Glo­ry for years — he's a big rea­son it end­ed up on jazz ped­al­boards world­wide. Af­ter the sound­check, we dis­cussed what he looked for in an over­drive. One thing led to an­oth­er. My brain start­ed wan­der­ing off into dif­fer­ent ideas. Could we make the Morning Glory even better? \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eTHE PROBLEM WITH TRANSPARENT.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen you add over­drive — any type of clip­ping — you lose nu­ance. Pick at­tack gets com­pressed. Dy­na­mics nar­row. All overdrives shape frequency response, even the most transparent.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSo we tried some­thing no one's done: we took our Morn­ing Glo­ry (a Blues­breaker-style topol­o­gy) and com­plete­ly re­built it around a stu­dio-grade par­al­lel clean blend. Not just a mod­i­fi­ca­tion, a re­design from the ground up.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn pa­per, it seemed point­less — why blend a clean sig­nal into some­thing al­ready trans­par­ent? \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere's why. The Morn­ing Glo­ry's magic happens when you turn up the Drive, the circuit boosts higher harmonics and adds soft com­pres­sion. Jan­g­ly. Per­fect in a mix. The par­al­lel clean cir­cuit lets you keep all that while di­al­ing the nat­ur­al low end back in — all the tone, all the char­ac­ter. Noth­ing com­pro­mised.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eTHIS ISN'T A CLEAN KNOB SLAPPED ON A MORNING GLORY. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor those won­der­ing — let's talk about what's ac­tu­al­ly hap­pen­ing in­side.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Clean con­trol uses a dual-gang po­ten­tiome­ter. As you turn it, clean gain scales pro­por­tion­al­ly with the drive sig­nal — it’s per­fect­ly en­gi­neered from the ground up. Most clean blends are an af­terthought — a sim­ple mix knob tacked onto an ex­isting cir­cuit. This one was de­signed so the two sig­nals track to­geth­er across all gain settings. No vol­ume jumps. No weird phase is­sues. Just seam­less blend­ing from Morn­ing Glo­ry to pure sig­nal and every­thing in-be­tween. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe pow­er sec­tion runs on a ±9V dual sup­ply — the same topol­o­gy as our V4 — which gives you high­er head­room than the orig­i­nal V1 cir­cuit and any oth­er Bluesbreak­er-style ped­al out there. This is where most clones get it wrong. Think of it as the orig­i­nal Ver­sion 1 Morn­ing Glo­ry voic­ing with the V4 en­gi­neer­ing en­hance­ments. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Tone con­trol af­fects only the over­drive path. Your clean sig­nal stays par­al­lel and un­touched. For the peo­ple who care about this stuff: this is the most thought-out and so­phis­ticat­ed Morn­ing Glo­ry we've ever built. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eENDLESS HEADROOM, ANY VOLUME.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEnd­less head­room. Those mas­sive clean gui­tar sounds that you love on record­ings — most were made at vol­umes that would get you evict­ed. The Morn­ing Glo­ry Clean gives you the stiff­ness and au­thor­i­ty of a high-wattage amp at the edge of breakup — with­out the earplugs. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThink of the Clean con­trol as adding back in wattage, clar­i­ty, and punch.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eIT GOES ON EVERYTHING.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eStack a dis­tor­tion in front and the sus­tain opens up in­stead of clos­ing off. Run it af­ter de­lay for new territories of series\/parallel textures. First-stage over­drive? This is the best we've ever built. Pe­riod.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt breathes in front of amp mod­el­ers too. The over­drive and pres­ence of the classic Morn­ing Glo­ry, with your at­tack and low-end con­tent di­aled back in — magic in front of a Kem­per, Quad Cor­tex, UAD, or He­lix. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBass play­ers: the orig­i­nal Morn­ing Glo­ry rolls off low end just like a fi­nal mix. That's why you love it — that's why it's be­come a stan­dard on so many pro bassists' boards. The clean blend di­als that low end back on com­mand for your dif­fer­ent bass and ampli­fi­er needs. This might be the best bass over­drive we've ever made. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWho this isn't for.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis ped­al isn't for every­one and we're con­fi­dent in say­ing that. If you want the dopamine hit of a wild new sound, look else­where. If you want tons of con­trols, tweaka­bil­i­ty, bells and whis­tles — this is not that. This ped­al does less while giv­ing you more. No bad sounds. Im­me­dia­te gra­ti­fi­ca­tion. Leave it on and for­get it's there. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eCON­TROLS \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVol­ume — \u003c\/span\u003e\u003cspan\u003eAdjusts the overall volume in conjunction with the drive and clean. \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClean — Full left: orig­i­nal Morn­ing Glo­ry. Full right: pure clean sig­nal. Start with Clean and Drive maxed, dial Clean back (counter clockwise) un­til you find your perfect bal­ance. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrive — Sat­u­ra­tion. Crank it and use the Clean con­trol as your bal­ance. This ped­al is de­signed to be used this way. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTone — Clas­sic Morn­ing Glo­ry tone stack. Af­fects only the drive path. Back for warmth, for­ward for clar­i­ty. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClean Boost Pro Tip – Morning Glory Clean can be used as a stand-alone clean boost.  Set the Clean to 100% (fully clockwise) and  increase the Drive.  In this configuration, the Drive will not produce any overdrive clipping - only clean volume boosting. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eSPEC­I­FI­CA­TIONS\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- ±9V Dual Sup­ply (mas­sive head­room) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Top-mount­ed jacks \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- 9V DC Cen­ter Neg­a­tive\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Silent Buffered Bypass Switching\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 60mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":49172650426676,"sku":"MC","price":295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/files\/JHS-Morning-Glory-Clean-Overdrive-Pedal-Infinite-Music.webp?v=1782469960"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0665\/6789\/collections\/JHS_Pedals.jpg?v=1754915768","url":"https:\/\/www.infinitemusic.com.au\/collections\/jhs-pedals.oembed?q=pg_%3a4","provider":"Infinite Music","version":"1.0","type":"link"}